Comics Rack

Marvel delivers holiday hat trick

Written by Jim Beard | | news@toledofreepress.com

It’s an age-old problem: You want to hook someone with a comic book, but somehow issue No. 332 just doesn’t inspire his or her devotion. Luckily, Marvel Comics just put out three brand-new No. 1s, all part of its recent Marvel NOW! series relaunches. Doubly-lucky, Jim Collins of JC’s Comic Stop says they’re more than worth the cover price.

“The new Fantastic Four No. 1 by Matt Fraction and Mark Bagley was very enjoyable with an old-time Marvel feel,” he said. “This has the possibility to be the best the Fantastic Four has been in years. You have Reed doing his whole scientist thing, Ben getting punked by the Yancy Street Gang, Johnny trying to have a date in the Negative Zone and Sue trying to be a mom in this not-so-normal family — oh yeah, there’s dinosaurs, too! Fraction may have found his calling on this book, and Bagley’s art is as top-notch as it can be. This guy was born to draw comics!”

Thor: God of Thunder No. 1 wasn’t quite the Thor comic Collins was expecting.

“Writer Jason Aaron has gone back to Thor’s roots as a god,” he said. “There’s nothing ‘superhero’ about this issue. It starts out in 893 A.D., jumps to the present day, and ends ‘many millennia from now.’ After answering a plea from a universe far away, Thor makes a discovery of lost gods that have been slaughtered, and those responsible are only beginning their god-killing spree. This takes us into the future, where it appears that Thor is the last of his kind. Esad Ribic’s artwork is much like Bagley’s on Fantastic Four; it makes you swear there’s no one better suited to illustrate the Odinson’s tales.”

Rounding out the triumvirate is Indestructible Hulk No. 1 by Mark Waid and Leinil Yu.

“Waid is no stranger to top characters and shows he can write old Jade Jaws with the best of them,” Collins said. “This picks up after the events of Avengers Vs X-Men, when Bruce Banner has come to the conclusion he can’t be ‘cured’ of the Hulk and would rather be working for S.H.I.E.L.D. than always hiding from them. Yu’s art works well in this first issue and I hope that they can get him to stay on the comic for several years.”

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Comics Rack

Comics versus film: ‘The Avengers’

Written by Jim Beard | | news@toledofreepress.com

“The Avengers,” now playing in theaters worldwide, is burning up the box office and pleasing crowds of all stripes — including longtime, die-hard comic book fans, arguably the most demanding crowd of all. What accounts for this strange phenomenon? In large part, comic fans have been well-served by the blockbuster film’s steadfast devotion to its four-color source material, despite several differences between the two.

The comic book team of superheroes came together in 1963’s Avengers No. 1, due to the machinations of the trickster god Loki, a catalyst mirrored in the film, but with the addition of Nick Fury’s covert “Avengers Initiative.” The comic and the film include Thor, Iron Man and the Hulk as founding members, but the comic also sports Ant-Man and the Wasp as originators — Captain America didn’t come along until issue No. 4 in 1964, Hawkeye in 1965 and the lovely Black Widow in 1973. Incredibly, since that first issue, nearly 100 other heroes have joined the ranks of the Avengers.

The prickly atmosphere that permeates the film, leading to volatile disagreements between its champions, reflects a situation that came about in Avengers No. 2. By the end of that issue, the Hulk quit the team in a huff, citing the alleged disdain the other members harbored for him; this paves the way for the green behemoth to become one of the Avengers’ earliest enemies and for one of Captain America’s first missions with the group. As in the film, Loki’s wily manipulations are centered on the Hulk, but the comic lacks the onscreen “Macguffin” of the Tessaract — called the Cosmic Cube in other Marvel Universe titles.

One of the greatest assets of the movie comes in the faithful portrayals of the heroes’ comic book personalities and backstories, a credit to the writers and directors of the Marvel films that have satisfied the hungry masses of comic fans. “The Avengers” proves that a film can retain the essence of what’s most important to the print medium’s admirers and still make sense to — and entertain — the wider public. Now if only a certain other major comic book company and its corporate studio owners would wake up, smell the money and jump on the comic-to-screen bandwagon …

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Film Review

Review: Marvel’s ‘Avengers’ a roaring blast of summer fun

Written by Jeff McGinnis | | jmcginnis@toledofreepress.com

It was about two years ago. I was on the air on 92.5 KISS FM one Wednesday morning, and I informed the assembled crew about what I felt was a pretty big piece of entertainment news: It had been announced that Joss Whedon would be directing and writing the upcoming Marvel superhero crossover epic “The Avengers.” Everyone in the room quickly laughed and basically said, “Who cares?”

Well, now, they better care. Because it turns out that Whedon — the visionary behind “Buffy the Vampire Slayer,” “Firefly,” “Dr. Horrible’s Sing-Along Blog” and other titles which bring a smile to many geeks the world over — was just about the perfect choice to craft a film out of Earth’s Mightiest Heroes. Between his uncanny ear for witty dialogue and his ability to balance a wide range of characters, Whedon has managed to make one of the best popcorn flicks imaginable — a shot of pure fun from beginning to end.

The plot is pretty simple, really. The secret organization S.H.I.E.L.D. is trying to harness the “potentially unlimited power” of a glowing cube of McGuffin, and accidentally creates a portal unleashing Loki (Tom Hiddleston), Thor’s nasty brother. He plans on enslaving humanity. That’s basically it, as S.H.I.E.L.D. director Nick Fury (Samuel L. Jackson) begins to assemble a team comprised of all the heroes Marvel Films has been introducing fans to over the past three summers.

It’s a pretty good thing most of these characters have been thoroughly established in the public’s imagination by now, as anyone who isn’t familiar with the heroes will be lost pretty quick. Everybody gets their moments of introduction, yes, but “The Avengers” takes for granted that we pretty well know who Iron Man, The Hulk and everybody else are by this point.

But really, that’s fine, because once the hellos are out of the way, it’s the moments of interaction between the cast where the movie really begins to shine. Whedon crafts lines and situations for his actors that are hard to watch without a big grin on your face. Tony Stark (Robert Downey, Jr.) is as vain and glib as ever, Captain America (Chris Evans) continues to be a man out of time, Thor (Chris Hemsworth) looks on all around him with an understandable superiority complex, and Dr. Bruce Banner (Mark Ruffalo) is a ticking time bomb.

One of the key relationships, though, comes from two of the lesser-known characters — Black Widow (played tremendously by Scarlett Johanssen) and Hawkeye (played by the awesome Jeremy Renner). Even though they don’t share a tremendous amount of screen time, her mission to save him from Loki after he’s brainwashed provides one of the film’s purest emotional motivations.

But “Avengers” isn’t really about character. The whole thing is a set-up for an hour or so of the most kinetic, entertaining action sequences imaginable, where every hero gets a chance to be as bad-ass as they can be. Whedon’s story construction resembles the guy on magic shows who keeps ten plates spinning simultaneously, as he balances all his heroes and the makes the battles fun, with plenty of doses of wry humor, as well.

Damn, is that last hour something to behold. The entire final battle is an ever-escalating war of attrition centered on the streets of Manhattan. As Whedon showed with many of the climactic conflicts on his television adventures, he knows how to craft scenes that are thrilling without ever being incomprehensible. Unlike the fast-cut, shaky-cam action of the past few years, here is grand excitement that is never confusing to follow. There’s one, long, unbroken shot which manages to focus on all of the heroes in sequence, and it’s as joyous a single moment as I can recall in movies in quite some time.

The journey isn’t perfect, though. As mentioned, though Whedon and his co-writer, Zak Penn, give each hero time to have some dramatic moments, that’s still a LOT of characters in a not-a-lot of screen time (at 142 minutes, the movie still feels short). What makes the best superhero movies is when we enjoy the heroes just as much when they’re out of costume as we do when they’re in them — that’s why films like the original “Iron Man” and “The Dark Knight” last.

“The Avengers” doesn’t have that level of depth, which ultimately puts it a notch below the very best. But what it does bring is amazingly fun action that satisfies the kid in all of us. This is the kind of rip-roaring adventure that we imagined in our backyards as we played with superhero action figures. Thanks to Whedon and his collaborators, if only for a couple hours, we get to play all over again.

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Comics Rack

New comics picks: past, present, future

Written by Jim Beard | | news@toledofreepress.com

I’ve said it many times before: there’s never been a more diverse selection of themes and topics in the comics industry than right now. Jim Collins of Toledo’s own JC’s Comic Stop has new titles in his current picks that encompass a movie tie-in celebrating one of the most legendary and venerable superhero teams of all and a mature-readers book that echoes the UFO paranoia of the 1950s with a topical, modern edge.

“Those who want to be ahead of the curve when the ‘Avengers’ film drops would want to read this,” Collins said of The Avengers Prelude: Fury’s Big Week No. 1. “It gives some great insight into the forming of the group as everything comes together. You see the search for Captain America, the disturbance in New Mexico involving Thor, inside info-dealing with Tony Stark from the ‘Iron Man 2’ film and more. It’s a fun read and it should prove to make the ‘Avengers’ film that much more enjoyable. However, if you’re thinking of picking up this comic, I would not wait too long — I suspect that not many copies are going to be found in the area.”

On the DC Comics side of the pool, the company’s Vertigo imprint is launching several new titles, one of which has piqued Collin’s interest over the others.

“Saucer Country by writer Paul Cornell and artist Ryan Kelly deals with a New Mexico governor, Arcadia Alvarado, running for the office of United States president and dealing with immigration issues, budgets cuts and, oh, lets also throw an alcoholic ex-husband into the mix, too,” he said. “Sounds like that would be enough to make a good comic, but wait, there’s more! On the way to campaigning, Arcadia has an encounter that leaves her with horrible, hazy memories and she feels an even greater need to become president, if only to expose the ‘truth’ and save the world. So, if you’re into alien abduction and dirty politics set in the Southwest, this comic may very well be for you.”

Among the other new Vertigo titles hitting this month is The New Deadwardians, an alternate-reality Edwardian London where almost everybody is either a zombie (the masses) or a vampire (the elite) and Heaven help you if you’re a normal human stuck in the middle.

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Comics Rack

‘Avengers’ speed toward film with new title

Written by Jim Beard | | news@toledofreepress.com

The term “franchise” has, in the past few years, come into prominent play in the comics industry. It is meant to identify a family of titles built around a central concept. Marvel Comics’ “Avengers” franchise currently stands, for example, at four books with a fifth title on the way to expressly showcase the lineup of characters in May’s hotly anticipated “Avengers” feature film.

Let’s face it: despite a rising Dark Knight and a shorts-less Man of Steel, it’s this May’s “Avengers” movie that everyone is really looking forward to. And with good reason — Marvel has been building its movie universe much like its comic counterpart and insuring brand loyalty along the way.

That’s why the company is adding an “Avengers Assemble” title to its comic franchise, joining “Avengers,” “New Avengers,” “Secret Avengers” and “Avengers Academy.” And, yep, you guessed it; the new book’s team mirrors the film’s, namely Captain America, Iron Man, Thor, Black Widow, Hawkeye and the Hulk.

One of the more interesting wrinkles of this “Avengers” mania can be found in Marvel’s recent announcement that its star scribe and “Avengers” guru, Brian Michael Bendis, will step down from writing three of the five titles after this summer. Sure, Bendis has been writing the main “Avengers” books for the past few years now, but it’s a bit surprising to have him walk away from the franchise just when the greatest number of potential new readers will be searching for their “Avengers” fix after viewing the film. Still, going out on a high note isn’t necessarily a bad thing.

Stan Lee and Jack Kirby created the “Avengers” in 1963 as a fun way to put all their top heroes into one bag, and they made it work with bold ideas and lots of colorful action. Things are a bit more complicated today, but the visceral thrill of having a bunch of cool characters all on the same team and in the same title is still present.

The “Avengers” film is poised to crank that thrill up to 11 and Marvel will be there to feed the need.

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Popcorn season: Superheroes, sequels and Spielberg offer summer movie thrills

Written by Jeff McGinnis | | jmcginnis@toledofreepress.com

From the birth of “Avengers” franchises “Thor” and “Captain America” to the curtain call of the “Harry Potter” series, Summer 2011 is geared up to provide some cool relief from the hot days outside. Here are some of the cinematic highlights that should keep popcorn and Twizzlers sales soaring.

Po (Jack Black, center) and The Furious Five (left to right) Crane (David Cross), Tigress (Angelina Jolie), Mantis (Seth Rogen), Monkey (Jackie Chan), and Viper (Lucy Liu) are back in DreamWorks Animation's "Kung Fu Panda 2"

May 6

“Thor” — It’s time for yet another Marvel superhero movie, the first of three this summer. This time, it’s the God of Thunder himself, played by the guy who played Captain Kirk’s dad (Chris Hemsworth). He certainly looks the part, and whoever decided to cast Anthony Hopkins as Odin deserves a medal. But the big question is, does the general public know Thor as a character enough to justify building a whole movie — let alone franchise — around him? Things working in the movie’s favor: It suddenly has another Oscar winner in its cast (Natalie Portman), and a director who is very respected both inside and outside of mainstream cinema (Kenneth Branagh). We may not be talking “Iron Man”-level grosses here, but it’ll probably do well enough to win a couple of weekends at the box office.

May 13

“Bridesmaids” — Imagine “The Hangover” with an all-female cast and produced by Judd Apatow. Kristen Wiig stars as a bridesmaid who meets the rest of her best friend’s wacky bridal party, and shenanigans ensue. Wiig co-wrote the screenplay, and the director, Paul Feig, has many episodes of “Arrested Development” and “The Office” to his credit — seriously, how could this lose? Prediction: Melissa McCarthy, who plays the party’s large and crude member, will be the breakout star a la Zach Galifianakis.

“Priest” — Based on a popular Manga, here’s a post-apocalyptic tale with stylish visuals and over-the-top action. Yep, another one. Here, Paul Bettany stars as (surprise!) a priest who kills vampires. If the idea of Bettany in this kind of movie seems oddly familiar, it should: He also appeared in “Legion,” which substituted angels for vampires, and was directed by Scott Stewart — who also directed “Priest.” However many hardcore action fans turn out for this, it won’t be enough to dethrone “Thor” or “Bridesmaids.”

May 20

“Pirates of the Caribbean: On Stranger Tides” — Captain Jack is back! And let’s hope this one is better than “At World’s End.”

Director Gore Verbinski has stepped aside, replaced by Rob Marshall, whose own resume (“Chicago”) doesn’t seem to indicate that he has this kind of swashbuckler in him. But still, it has Johnny Depp, Geoffrey Rush and new female lead Penelope Cruz, so hopes are high. It has this weekend all to itself, so it’ll open huge, but what it does from there is all about how good it is. Especially since the following week has …

May 27

“The Hangover: Part II” — Yep, it’s time for the sequel. All the original cast is back, as is director Todd Phillips, whose last film was the lackluster “Due Date.” This time, the guys are all in Thailand for Stu’s wedding when (of course) things go crazy. It’s a major, major challenge to follow up a hit comedy, let alone one of the most popular comedies of all time. It doesn’t help that the trailer has a very “been-there, done-that” feel to it; as it even seems to recycle the exact same plot. Odds are this isn’t gonna be as funny as the first movie (what could be?), but regardless, it’ll make a mint at the box office.

“Kung Fu Panda 2” — Speaking of sequels, here we have the first big family film of the summer, featuring the return of Jack Black as Po, the panda with huge martial arts skills and an appetite to match. All the rest of the cast is back, too, but with a new director, Jennifer Yuh, whose past work is full of awesome non-Disney animation work (story artist on the original “Panda” and “Madagascar,” even directed episodes of the incredible HBO series based on “Spawn”). Simply put, this’ll be the summer’s biggest family film … for at least a month, until “Cars 2” comes out.

June 3

Ed Helms in "The Hangover Part II."

“X-Men: First Class” — The original stars are getting too old/too expensive/too involved in their own franchises, so guess what? It’s time for the prequel! Set in the 1960s, this look at the early days of Xavier’s School for the Gifted stars James McAvoy (“Atonement”) and Michael Fassbender (“Inglorious Basterds”) as Professor X and Magneto. The period look of the trailer seems to understand its era well, and using world events as a backdrop (Cuban Missile Crisis, anyone?) might invest the whole thing with a gravity the earlier installments kinda lacked. The director, Matthew Vaughn, also knows his way around special effects (he made “Kick-Ass” and “Stardust”), and Bryan Singer, who made the first two X-films, is back on as a producer, so there is reason to hope.

June 10

“Super 8” — Perhaps the summer’s most intriguing movie, in large part because the trailer takes great pains to not give too much away. Advertisers, take note. Director/writer J.J. Abrams brings a sci-fi tale of kids in the 1970s filming an amateur movie who happen to capture a horrific train crash in progress, as well as … something … escaping the wreckage. No big stars in the cast to speak of, but with its intriguing premise and pedigree (Steven Spielberg is among the executive producers), this will probably draw people in on the strength of its makers alone.

“Judy Moody and the Not-Bummer Summer” — Based on a popular series of children’s books, this family romp is about a young girl who is determined to have the best summer ever. This isn’t a high-concept plot or anything, but the trailer has a lot of energy and fun in it, so for kids looking for a bit of summer frivolity this may just be the ticket. Director John Schultz last turned in the questionable “Aliens in the Attic” though, so the jury’s still out. Also features Heather Graham.

June 17

“Green Lantern” — Hmm, it’s been two weeks since the last comic book movie, which means we’re way overdue for another one! This time, it’s the only character from the DC stable to get a flick this summer, as Ryan Reynolds stars as Hal Jordan, adventurous test pilot who through a twist of fate gets inducted into an intergalactic group of guardians known as the Green Lantern Corps. The trailer promises lots of flashy special effects and alien races, but really, how many outside of die-hard comic geeks know enough about Green Lantern to care? Then again, the same could be said of Iron Man, so …

“Mr. Popper’s Penguins” — Another live action family flick sees Jim Carrey starring as a businessman who inherits six penguins. Don’t even start thinking of comparisons to “Ace Ventura” here — this is a light-hearted kids’ comedy (very) loosely based on a much-loved book. Carrey hasn’t been around that much lately (“I Love You, Phillip Morris” notwithstanding), so it’ll be interesting to see how his first mainstream live action flick in nearly three years will fare.

June 24

“Cars 2” — The original film back in 2006 ended up being one of the most popular films in Pixar’s history, so a sequel was probably inevitable. But instead of simply rehashing the original, director John Lasseter and the rest of the crew have taken a wild left turn, making the sequel into a spy thriller with Lightning McQueen and Mater exploring the world.

This neatly makes everything feel remarkably fresh, and sidesteps the sad fact that neither Paul Newman nor George Carlin can reprise their roles from the first film. Also, Lasseter (who made the first two “Toy Story” movies and “A Bug’s Life”) hasn’t helmed a Pixar flick since the first “Cars,” so it’s nice to see him directing again.

“Bad Teacher” — Here’s your raunchy, nasty, potentially hilarious comedy of the month. Cameron Diaz stars as an extremely disgruntled teacher who wants to seduce a new colleague (played by Justin Timberlake), but feels she needs to get breast implants to be noticed. The fact that Cameron Diaz thinks she needs bigger breasts to be appealing to a guy is a little out there, but whatever. The trailer is really, really funny (especially the uncensored version), and the director is Jake Kasdan, who last turned in the hilarious “Walk Hard,” so fingers crossed.

July 1

“Transformers: Dark of the Moon” — Let’s get the obvious comments out of the way — yes, another Transformers movie. Yes, it’s still directed by Michael Bay. No, this isn’t an adaptation of the Pink Floyd album. There. Now, even Bay admits the last movie wasn’t very good (no, really?), and has promised this one will be better and deeper. Of course, better for Bay usually equals more pounds of C4 exploded, so we’ll see. The trailer’s intriguing at least, and the first film in the franchise was shockingly good, all things considered, so who knows.

“Larry Crowne” — Tom Hanks returns to the big screen as a director for the first time in 15 years with a quaint dramedy about a simple man (Hanks) who loses his job at a Sam’s-Club-ish store and tries to better himself by going to a community college. Co-stars Julia Roberts as his reluctant professor. Hanks’ first film was the charming “That Thing You Do,” — he has genuine talent behind the camera. This won’t blow any doors off the theaters, but the older crowd will eat it up.

July 8

“Zookeeper” — Or, as we can think of it, “Night at the Museum Goes to the Zoo.” A roly-poly zookeeper (Kevin James) discovers to his shock that the animals he cares for can all talk (with celebrity voices, in fact) and want to help his love life. The trailer looks dumb but harmless, and director Frank Coraci is not particularly known for sophisticated humor (his credits include “The Waterboy” and “The Wedding Singer”). Those hoping for a low-key family flick will enjoy it, but anyone looking for more should keep looking.

“Horrible Bosses” — Three buddies, led by the invaluable Jason Bateman, decide that their terrible bosses are the things holding them back and concoct a grand scheme to kill them all. Yep, we’re dealing with a dark comedy, here, a “Throw Momma from the Train” for the workplace set. The odd factor may be its director, Seth Gordon, mainly known for his fun documentary “The King of Kong” and less fun comedy “Four Christmases.” Does he have the kind of cheerful malevolence this material needs? Time will tell.

July 15

“Harry Potter and the Deathly Hallows, Part 2” — Do I really need to say anything? Yep, it’s the grand finale, the final battle, the end-all-be-all-this-is-it for the most popular movie series of our time. Warner Bros. and all the cast deserve to be applauded for making it to the end, and consistently turning in extremely entertaining films that did justice to the books they came from. Will this be the biggest film of the summer? The competition’s steep, but if the dramatic conclusion satisfies on film as much as it did in print, fans may want to revisit this one a few times.

“Winnie the Pooh” — Now here’s an odd bit of counterprogramming. On the same week that one of the most successful franchises ever reaches its climax, Disney releases a traditionally animated film based upon one of its most beloved characters. It’s a superb idea to not upgrade Winnie to computer animation, to be sure. But will this relatively slight film get bulldozed by the Potter juggernaut?

July 22

“Captain America: The First Avenger” — Yep, here comes another comic book flick, the second that will act as a stage-setter for next summer’s “Avengers” movie. This and “Thor” can almost be seen as feature-length trailers for the real movie in 2012. But that doesn’t mean this one can’t be a success on its own merits, with Chris Evans as the supersoldier who fights the Nazis and supervillain Red Skull (Hugo Weaving). As little as two weeks ago, an All-American hero might have seemed a tad passé. But in the wake of the events of May 1, Cap might be arriving at precisely the right time.

“Friends with Benefits” — Hmm, where have we seen this plot before? Two friends who are unlucky in love decide to just have sex with each other, no strings attached. Oh, wait, that’s right, there was that movie last fall, called, what was it? Oh, well, doesn’t matter. Anyway, this version stars Mila Kunis and Justin Timberlake, two of the hottest stars around, so if this one does well, it’ll be all about their drawing power. Director Will Gluck’s last flick was the well-received “Easy A,” so maybe this one’ll surprise us, originality be damned.

July 29

"Cowboys and Aliens" stars Harrison Ford and Daniel Craig.

“Cowboys and Aliens” — The summer’s most unique mash-up, with either the best or worst title in history. Daniel Craig stars as a mysterious drifter in the Old West who doesn’t know how this here futuristic bracelet got on his wrist, until aliens from another world start attacking. Co-stars none other than Harrison Ford. The trailer excites and interests most audiences until that title comes up, at which point they burst into laughter. Whether that’s a good or bad thing is yet to be seen. On the plus side, the director is Jon Favreau, who hit it huge with the “Iron Man” movies.

“Crazy, Stupid, Love” — Steve Carell stars in this romantic dramedy about a man whose marriage is collapsing and whose kids are caught in the crossfire. The trailer is actually hilarious, and if the movie can deliver on the pathos the concept seems to have, this may be a genuinely memorable winner. Another reason for hope: The writer, Dan Fogelman, is one of the writers credited for the “Cars” movies. Less of a reason for hope: He’s also credited for “Fred Claus.”

“The Smurfs” — Four words: Katy Perry as Smurfette. Yep, it’s time for the Smurfs to go CGI, helmed by Raja Gosnell, the auteur responsible for the “Scooby-Doo” movies and “Beverly Hills Chihuahua.” Scared yet? Well, let’s look on the bright side — most of the celebs are nice choices for their assigned Smurfs (Jonathan Winters as Papa, George Lopez as Grouchy), and the wonderful Neil Patrick Harris plays the human who finds the blue things. Maybe adults won’t be tortured too badly while their kids watch.

Aug. 5

“Rise of the Planet of the Apes” — Yes, it’s time for an “Apes” prequel. Hoo boy. A scientist played by James Franco — wait, James Franco? What was his agent on when it was decided this should be the follow-up to “127 Hours?” Anyway, a scientist experiments on chimps, gives them intelligence and apparently ends up dooming the whole world. So he’s the guy Charlton Heston was damning to hell in the first movie. Saving grace: Andy Serkis (“Lord of the Rings,” “King Kong”) is playing the chimp. Really.

“The Change-Up” — Hey, remember back when the idea of two people swapping bodies was a fresh and interesting idea? No? Anyway, here it is again. Two buddies (Jason Bateman and Ryan Reynolds) end up changing places, so the family man becomes the single swinger and vice-versa. The director, David Dobkin, has “Wedding Crashers” to his credit, so he can pull off raunchy comedy quite well. Let’s just hope this is more “Big” than “Like Father, Like Son.”

Aug. 12

“30 Minutes or Less” — Jesse Eisenberg reunites with his “Zombieland” director Ruben Fleischer for an R-rated comedy about a pizza delivery guy who is kidnapped and forced to rob a bank within a short time limit. The trailer isn’t anything to write home about, but the concept is intriguing, and in the afterglow of his triumph in “The Social Network,” Eisenberg is a fairly hot commodity right now. Also will benefit from the presence of Danny McBride, who is always entertaining, even when his movies aren’t.

“Final Destination 5” — It’s the last one. For realz. We’re serious this time, you guys, we won’t make any more. Yeah, right. Let’s at least be grateful that the rumored original title — “5-nal Destination” — didn’t come to pass. Anyway, you know the drill, attractive young people nearly die in an accident then start dying anyway. Frequent James Cameron collaborator Steven Quale gets a shot as director here.

Aug. 19

“One Day” — Here’s your high-concept rom-com of the month: Two people (Anne Hathaway and Jim Sturgess) meet on the night of their college graduation, and then the film checks in on them every year on the same date for the next two decades. What are the odds they’ll fall in love by the time the 20th year rolls around? Anyway, Hathaway is the most likable person in movies today and her in a romantic flick almost always scores. And director Lone Scherfig’s last project was the Best Picture nominee “An Education.”

“Fright Night” — Remake of the classic 1980s vampire flick sees a teenager (Anton Yelchin) who suspects his neighbor (Colin Ferrell) of being a bloodsucker. Sure, vampires are hot right now, but releasing this one in the waning days of summer doesn’t seem like a vote of confidence. But there are hints of awesomeness: The director, Craig Gillespie, made the wonderful “Lars and the Real Girl,” and the Roddy McDowell role is being played by David Tennant, the best Doctor Who of all time. (I await angry letters from Tom Baker fans.)

“Conan the Barbarian” — Speaking of remakes, here’s a loincloth-clad revisit of the classic pulp character made famous by the Governator. This one stars Jason Momoa, who may not have Arnold’s pecs, but is red-hot right now thanks to “Game of Thrones.” Also red-hot (in a different way) is co-star Rose McGowan, and the director is Marcus Nispel, who last helmed the 2009 remake of “Friday the 13th.”

“Spy Kids 4” — Director Robert Rodriguez was last seen blowing heads off in “Machete.” Now he returns to his popular kids’ franchise, with a mostly new cast but appearances by almost all the old characters. This one stars Jessica Alba as a former spy brought out of retirement and helped by her stepkids. This one will also be in 3-D, as Rodriguez was well ahead of that curve, releasing the third film in the format more than six years ago. Will this kiddie franchise still pack enough punch now that its former stars are Spy Tweens?

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Comics

Free Comic Book Day returns

Written by Jim Beard | | news@toledofreepress.com

Ah, spring, when a fanboy’s heart turns to thoughts of Free Comic Book Day. That’s right, True Believers — that special day at comic shops across the nation is once again upon us May 7, a day when life is good and the comics are free. What’s in store for all good Toledo comic fans this year? How about Thor, Captain America, Green Lantern and … Adam West?

Ed Katschke of Monarch Cards and Comics can’t wait to rattle off his picks for Free Comic Book Day 2011, all of which will be offered in his shop.

“With ’Captain America-Thor: The Mighty Fighting Avengers,’ Marvel makes the predictable move this year and uses Captain America and Thor for its main Free Comic Book Day offering,” he said. “The storyline, written by Roger Langridge and illustrated by Chris Samnee, is a charming bit of whimsy and features the upcoming movie versions of our heroes. Cap and Thor get magically whisked to aid King Arthur and the Knights of the Round Table against one of Loki’s typically malignant plots. There is also a five-page back up story spotlighting Marvel’s hit Disney cartoon show, ‘Avengers: Earth’s Mightiest Heroes.’ All in all a great all-ages Marvel package!

“In the ‘Green Lantern-Flashpoint Special Edition,’ DC Comics follows the same basic formula as Marvel: build your main Free Comic Book Day offering around your upcoming movie event. In this case, we get a reprint of ‘Green Lantern’ No. 30, written by DC wunderkind Geoff Johns and illustrated by Ivan Reis, which features a truncated version of Green Lantern’s secret origin. The backup story is a special sneak preview of DC’s big summer storyline event, ‘Flashpoint,’ which is also written by Geoff Johns and illustrated by Andy Kubert.”

The 83-year old Adam West gets his own comic in July and a sneak preview of “The Mis-Adventures of Adam West” on Free Comic Book Day. This is not about Batman or any of the other roles he’s played, but a fictional story about West that involves time travel and other shenanigans.

Holy most unique comic ever!

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