Comic Books

Comics, film have symbiotic relationship

Written by Jim Beard | | news@toledofreepress.com

Comic and films, films and comics — the line between them grows ever thinner. Companies on both end of the equation have found in recent years that a symbiotic relationship between the two media seems to be the path to a brighter financial future. Take DC Comics’ brand-new adaptation of author Stieg Larsson’s acclaimed novel “The Girl with the Dragon Tattoo,” which boasts two film versions. Monarch Cards & Comics’ Ed Katschke thinks the graphic novel is a “perfect translation” of the original work.

“Writer Denise Mina and artists Leonardo Manco and Andrea Mutti have done a wonderful job at taking Larsson’s book and transforming it into comic gold,” he said. “Crusading reporter Mikael Blomkvist looks into the cold case of a missing teenage girl from the 1960s alongside punk hacker Lisbeth Salander, an intriguing character who has secrets of her own. The original novel is filled with twists and turns as Blomkvist gets closer and closer to the end of his investigation and Mina has managed to compress a good deal of information into a very readable and entertaining form. This 144-page ‘Volume 1’ hardback covers roughly the first third of the novel and ends up matching or even surpassing the movie versions in terms of excellence in adaptation. Perfect for fans of the original book or new readers looking to see what all the fuss is about.”

And then there’s that little sequel film called “Iron Man 3” due in May; Marvel Comics is no slouch in the promotional department as it reboots the titular hero’s comic and infuses it with themes found in the coming movie.

“Iron Man No. 1 by writer Kieron Gillen and artist Greg Land is a fresh start for everyone’s favorite armored Avenger,” Katschke said. “Picking up roughly where the Avengers vs. X-Men miniseries left off, the new title starts its exploration into the discovery of faith that Stark was forced to accept during that story. Gillen also picks up the old plot threads left over from Warren Ellis’ groundbreaking Extremis storyline — also the source material for next summer’s ‘Iron Man 3’ — and uses them to good effect. Land has often been accused for a style a little too dependent on his light box, but this first issue captures Iron Man’s glamorous, high-tech world of sleek machines and beautiful women quite effectively, although there are pages that do seem a bit rushed and less polished than what we are used to from him. All in all, it’s a good start in the next chapter of Stark’s life.”

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The Gold Knight

Review: ‘The Girl with the Dragon Tattoo’

Written by James A. Molnar | The Gold Knight | jmolnar@toledofreepress.com

Do you punish a filmmaker for a gruesome and, at times, hard-to-watch story that’s faithfully based on its source material?

At times, “The Girl with the Dragon Tattoo” is unwatchable. Not because it’s horribly made but because director David Fincher has crafted a movie that depicts violence with bone-chilling clarity.

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His source material, the first in a series of three Swedish books by Stieg Larsson, follows the intertwining tales of journalist Mikael Blomkvist and a different kind of investigator, the title character.

The journalist, played by Daniel Craig (known for playing James Bond), loses a libel case against billionaire industrialist Hans-Erik Wennerström. He is then hired by the retired CEO of Vanger Corporation, the largest family-owned company in Sweden, to solve a mystery that has haunted the family for decades.

Poster

The girl with the dragon tattoo, named Lisbeth Salander and strongly played by Rooney Mara, is described by her handler as “the best investigator, different in every way.”

Blomkvist and Salander do not cross paths initially, but when they meet there is an odd chemistry at work while the two delve deeper into the mystery.

“The Girl with the Dragon Tattoo” has an ironically Bond-esque opening, with floating liquid molding and shifting into various symbolic objects, set to rockish music.

The violence is not gratuitous. In fact, it seems somewhat muted. Even so, audiences will find themselves grasping at their armrests and turning their heads. These handful of scenes are not for the faint of heart.

The 158-minute running time is surprisingly unnoticeable as the thrilling plot takes viewers on an adventure. The last parts of the movie shine because the violence is all but over and the audience can enjoy the plot twists unfolding.

Steven Zaillian, Oscar-winning screenwriter for “Schindler’s List,” penned this adaptation. The score is by the Oscar-winning team from “The Social Network,” Trent Reznor and Atticus Ross, although the music does not seem to be quite as driving or in the forefront as it was in that film.

Comparing this film to Fincher’s much-heralded “Social Network” last year, one can find a louder and more violent approach taken for “Girl with the Dragon Tattoo.” Granted, the source material is very different. But what a compelling thriller to watch.

5 stars out of 5

Rated R for brutal violent content including rape and torture, strong sexuality, graphic nudity and language.

Toledo Free Press Lead Designer James A. Molnar blogs about all things Oscar at TheGoldKnight.com.

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