Music

Singer-songwriter Lucinda Williams to play Ann Arbor Folk Festival

Written by Vicki L. Kroll | | news@toledofreepress.com

Lucinda Williams has a lot to say about the title track of her 10th studio disc, “Blessed,” which is up for a Grammy Award for Best Americana Album.

“The whole idea came from being in this little Mexican restaurant that Tom [Overby, my husband] and I go into a lot. There’s a girl who would come in selling roses. I don’t know why, but this line came out: ‘We were blessed by the girl selling roses.’

“Sometimes when you see someone like that, you know, selling roses in a restaurant, you think: ‘I wonder if they’re happy? Do they like what they do?’

“Sometimes I look at people like that, I just wonder about them, where they’re from and everything. It kind of started with that idea, and then sort of grew into this other idea.

“I guess ‘Blessed’ is kind of about different things. It’s kind of that and it’s also little hidden blessings that we might not notice … the way people maybe touch you in different ways you didn’t know as you go through life,” she said.

Lucinda Williams

“And then the other part of the song is saying something positive coming out of a negative or there’s a life beyond this. … It’s hard to explain that song,” Williams said then laughed. “There are so many levels of it, and everybody can interpret it in different ways.”

She’s given many listeners a lot to think about since planting those memorable “Passionate Kisses” in 1988 and winning her first Grammy thanks to Mary Chapin Carpenter’s 1993 cover. Five years later, she turned “Car Wheels On a Gravel Road” and fans found they “Can’t Let Go” of Williams.

The singer-songwriter has been on cruise control since, motoring along and making music.

“I’ve got about 40 songs that are in different levels of formation, so [I’ve] got to get those finished. Tom’s been getting on me lately about it because he wants to try to get into the studio in March,” she said during a call from the couple’s Los Angeles home. “I’ve been coming up with just tons of ideas, tons of starting new songs, so it’s a matter of applying myself.”

The three-time Grammy Award winner finds inspiration everywhere.

“Since I am in a committed lifelong relationship, it’s really freed me up to explore other subject matter, you know, like child abuse and war and battered women — it just goes on and on — disease and death, a few joyous topics like that,” she joked. “But it helps me deal with stuff, too.”

Williams will play the Ann Arbor Folk Festival at 6:30 p.m. Jan. 26 at the University of Michigan’s Hill Auditorium. Tickets are sold out; call (734) 763-8587 to see if more become available.

It’ll be her birthday when she takes the stage.

“I have to have a good sense of humor about it since I’m going to be the big 6-0 — 60! I just can’t believe it; it sounds funny to say it,” she said.

The musician has accomplished a lot during her career. In 2002, TIME magazine named her “America’s best songwriter.”

She’s proud of her songs: “I’m in the same league now with other great songwriters, like Elvis Costello, Neil Young, even Bob Dylan — that’s pretty mind-blowing,” Williams said.

“I started listening to Bob Dylan when I was 12-and-a-half years old; now for people to compare me to him and everything, that’s pretty cool. That’s where the real satisfaction comes from.”

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People

Local fan helps Loretta Lynn celebrate 50 years in music

Written by Jeff McGinnis | | jmcginnis@toledofreepress.com

Leave it to Loretta Lynn to remain low-key and humble about her 50th anniversary in show business.

The music icon’s career began in 1960. She’s looking back on a half-century spent as the undisputed queen of country music. And yet, the main emotion she conveyed in an interview with Toledo Free Press is being thrilled that people care so much.

“I really was kinda surprised when they started doing shows and doing things for me, because I really hadn’t realized it’s been that long,” she said. “But they didn’t let me forget too long. They let me know I’ve been in the business 50 years. It was nice that the people remembered and cared, you know? That’s what made it good.”

It isn’t just her legions of fans who have taken the time to honor Lynn’s monumental contributions. During the past few months, Lynn has seen numerous events hosted in commemoration of her contributions to music history — from a 50th anniversary bash at her home in Tennessee to a Grammy salute featuring Reba McEntire, Kid Rock, Gretchen Wilson, Garth Brooks and other stars.

Lynn and Cornett.

“I thought that was something,” Lynn said of her anniversary duet with Brooks. “He flies in, and him working in Vegas, to do a song with me, and flies back. You can’t buy that kind of stuff. It’s not for sale.”

‘They already know me’

Longtime fan and Toledo native Rick Cornett said one of Lynn’s defining characteristics — one which has helped endear her to generations of fans — is her extreme level of generosity to her audience.

“She’s so humble. So down-to-earth. In all the years I’ve been following her, I’ve never seen her deny a fan an autograph, a photo opportunity. Just the realness of her — there’s no phoniness about her. I get to see her with no makeup on, no hairdo, rollers in her hair. There’s not many artists who would let fans see them that way.”

For Lynn, that level of personal access comes naturally. As far as she’s concerned, her fans practically know her as well as her friends do. From the beginning, Lynn’s music dealt with

issues that were extremely personal — controversy be damned.

“I didn’t know that people were thinking so much about it, till after it was over,” Lynn said. “I was just writing about my life and the way people live and everything, and I didn’t realize you just don’t get on records and say what you think. But it was a little late for me, because I started with ‘Honky Tonk Girl’ and ‘Coal Miner’s Daughter,’ and my life was just kinda laid out.”

Lynn continued to explore hot-button issues during her career, singing frankly about subjects that had rarely been explored in country music, such as birth control, feminism and sexuality. But once more, Lynn modestly downplays her role as a trailblazer.

“People really jumped on the records — they made ’em bigger than they woulda been if they hadn’t said anything,” Lynn said. “If somebody else woulda done it, and not said anything, it wouldn’t have been half as big.”

Her straightforward attitude about life and saying what she thinks is why she feels such a connection to her crowds.

“Everybody that’s in the audience, I know who they’re coming to see. And I know who they’re coming to see because I pretty well laid my life out there. And whoever’s at the show, I feel like they already know me. So, I just do my show for them, whatever they wanna hear.”

Four decades as a fan

For Cornett, there is no price tag for how much his relationship with the music legend has meant. During the course of nearly four decades, Cornett has been one of Lynn’s most enthusiastic fans. He has seen her in concert 400 times. He ran her international fan club for several years. He publishes an online newsletter with 4,000 subscribers.

His ongoing support has led to a personal relationship with Lynn and her family. At Lynn’s 50th anniversary party, it was Cornett’s honor to present her with a special fan appreciation award.

“Her daughter Patsy called me and said there was a media presentation, and other celebrities, but they wanted something on behalf of the fans. So they asked me to do it.

“It was a thrill. It was like a career highlight of my fandom with her to be able to stand up in front of all of her family and a ton of media people and do that for her.”

The thrills were not over for Cornett — during the course of the next few weeks, he would be tapped to crown Lynn “Queen of Country Music” during an October show and was also present for the Grammy celebration in her honor.

“She never changed. She’s the same Loretta that she was in the ’60s. She’s approachable. She never got above the culture and the places and the people that made her a star.”

The best is yet to come

The anniversary celebration has only just begun for Lynn. On Nov. 9, a new album, “Coal Miner’s Daughter: An All-Star Tribute to Loretta Lynn” will be released, featuring performances by Sheryl Crow, Steve Earle, Faith Hill, Alan Jackson, Kid Rock, Miranda Lambert, Martina McBride, Allison Moorer, Paramore, Reba McEntire, Carrie Underwood, The White Stripes, Lucinda Williams, Gretchen Wilson and Lee Ann Womack.

Lynn said the idea for the new album had been tossed around for a while, though she seemed touched by how many artists were enthusiastic about the project. “You didn’t have to go out and beg ‘em, they were ready-set-go, you know?”

Then, Nov. 10, at the Country Music Association awards, a special tribute to Lynn will take place — another chance for fans, friends, family and peers to let the Coal Miner’s Daughter know how much she has meant to them.

She has remained prolific in the studio as well. Back in 2004, Lynn wowed audiences and critics alike with the Grammy-winning “Van Lear Rose,” produced by Jack White of The White Stripes. Today, in addition to the tribute album, Lynn has been recording new songs for future projects.

“I’ve got 30-some things already in the can, and I’m going back in to record more,” she said. “I’ve been recording for the last year or so, me and Shawn Camp, he’s a writer, and we’ve been writing together.”

And Lynn’s relationship with her audience has never been stronger — especially now that she can see the effect her music has on fans of all ages.

“People that came to see me 50 years ago still come out to see me — them, their daughter and their daughter’s kids. Now it’s just tripled, you know? So, it’s just great, it’s really great, when you have three generations out there.”

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