GIFT GUIDE 2012

Gift Guide: Concert tickets

Written by Matt Liasse | | mliasse@toledofreepress.com

Concert tickets make great holiday gifts, giving family members or friends something fun to look forward to after all the festivities are finished. Here are just a few of the area’s upcoming shows.

P!nk. Photo by Andrew Macpherson

Skrillex and Boys Noize

Dec. 31

Palace of Auburn Hills, 6 Championship Drive, Auburn Hills

Tickets: $45-$350

The dubstep DJ will be bringing his “scary monsters and nice sprites” to the Palace of Auburn Hills on New Year’s Eve. The show starts at 6 p.m. and goes until 4 a.m., surely starting the countdown for ringing in 2013 in the biggest of ways. It’s a gift for anyone who can’t get enough bass drops and breakdowns.

Grace Potter and the Nocturnals

Jan. 17

Royal Oak Music Theatre, 318 W. 4th St., Royal Oak

Tickets: $51-$190

Still riding the high from their self-titled 2010 release (and this year’s “The Lion the Beast the Beat”), Vermont natives Grace Potter and the Nocturnals mix glam and folk rock.

Flogging Molly

Jan. 25

The Fillmore, 2115 Woodward Ave., Detroit

Tickets: $27-$36

The seven-piece Celtic band is sure to get Irish punk fans in the mood for St. Patrick’s Day a little early.

fun.

Jan. 26

The Fillmore, 2115 Woodward Ave., Detroit

Tickets: $40-$50 (general admission only)

The band’s song “We Are Young” hit No. 1, was covered on “Glee” and used in a Super Bowl Chevy commercial. Now the band will bring its anthem to Detroit in January.

Maroon 5. Photo by Terry Richardson.

Maroon 5, Neon Trees, Owl City

Feb.  14

Palace of Auburn Hills, 6 Championship Drive, Auburn Hills

Tickets: $65-$1,678

Why not cover two holidays in one? The Valentine’s Day show is welcoming Adam Levine and company for a night full of “moves like Jagger.” Who knows? Maybe a surprise visit from one of his fellow coaches on “The Voice” will commence.

Luke Bryan

Feb. 15

Huntington Center, 500 Jefferson Ave., Toledo

Tickets $28-52

This rising country superstar is known for hits like “Rain Is a Good Thing,” “All My Friends Say” and “Country Girl (Shake It for Me).” His 2011 album “Tailgates & Tanlines” sold more than a million copies. After touring with Jason Aldean, Rascal Flatts and Tim McGraw, “Dirt Road Diaries Tour” is his first headlining tour.

Lady Gaga. Photo by Mariano Vivanco.

Lady Gaga

Feb. 16

Palace of Auburn Hills, 6 Championship Drive, Auburn Hills

Tickets: $68-$1,826

With her new album “ARTPOP” on the way, Lady Gaga’s “Born This Way Ball” is hitting the states. The show has already been around the world and features a “monster pit” for die-hards.

P!nk

March 5

Palace of Auburn Hills, 6 Championship Drive, Auburn Hills

Tickets: $62-$2,773

Anyone who saw her performance during the American Music Awards knows P!nk’s tour will be filled with acrobatics. The show will promote her latest album “The Truth About Love,” but will surely feature hits from her decade-long career as well.

One Direction. Photo Courtesy One Direction.

Carrie Underwood

May 5

Huntington Center, 500 Jefferson Ave., Toledo

Tickets $43-$63

You can count on one hand how many “American Idol” winners are as successful as Underwood, and the country diva with the big voice will be in Toledo in May. Newcomer Hunter Hayes will open the show.

One Direction

July 12

Palace of Auburn Hills, 6 Championship Drive, Auburn Hills

Tickets $289-$2,527

This summer show may still be months away, but tickets for the biggest boy band in the world are expensive and going quick. Any “Directioners” eager to see Harry, Liam, Niall, Zayn and Louis better act now.

–Matt Liasse

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Crime

Victims’ Rights Survivor Night focuses on bullying awareness

Written by Caitlin McGlade | | news@toledofreepress.com

She described it as a gray period of her life, a period when she scrutinized her friends, searching their eyes for contempt. A period when box cutters and hedge clippers and X-ACTO knives climbed from the drawers of the art room and crept into her nightmares.

She was in the sixth grade.

“A lot of light was sucked away” she said.

Now, Ruthanne Johnson is in the seventh grade. Her eyes, behind rounded glasses, drop to her lap as she reflects on the days following the heavy wrecking ball that nearly knocked her down. But the wrecking ball — which took the form of of a number of bullies at her her school — did not succeed.

Her sullen gaze lasts only a few seconds before her eyes shift upward and a broad grin spreads across her face. She drops her hands low to the ground and explains that back then, during that gray period, she was down there. Then she raised her arms high over her head and says, “Now, I’m up here.”

She and her parents have asked the media not to print the details of events that temporarily broke her apart. She had been bullied before, but the various name calling jabs she endured in years prior barely compared to what her friends and acquaintances did to her last year. She feared for her safety.

The Shift

Ruthanne said she leaned on her family to gain her strength back. She stood on the shoulders of supporters at church. She took walks in her backyard. She even found comfort in an abandoned baby raccoon that she nursed back to health. Lady Gaga empowered her to use her voice.

She later met Lady Gaga through Oprah Winfrey at the kickoff of Gaga’s Born This Way Foundation at Harvard University.

Ruthanne’s mother Becky said Ruthanne’s school, Toledo School for the Arts, handled the case well and has become a strong support system for Ruthanne. But she added that she thinks some schools seem fearful to admit bullying happens.

“We’ve got to shift the paradigm and say it’s OK that it happens; what isn’t OK is that you don’t have a program in place to try to teach these kids tolerance and empathy and respect for one another,” Becky said. “That you don’t have a proactive plan in place to teach these kids what they’re obviously not learning, that you don’t have something in place that says ‘You have people to talk to and you have resources.’”

Ruthanne Johnson

Not for schools in Wood County. Greg Bonnell leads the Safe School Healthy Initiative program for the nine school districts in the county. Both he and Ruthanne will talk about bullying at Victims’ Rights Survivor Night on April 25.

This is the first year that the event has included a program on bullying. Russ Simpson, of Parents of Murdered Children, said the decision followed a number of discussions about recent bully-prompted suicides that shook the national news last spring.

Bonnell will host a booth with information about the Olweus Bullying Prevention Program, an initiative started in Norway that Bonnell now implements in 24 Wood County schools. The program operates on a five-year grant that funds other school safety programs as well.

Last spring, about 4,970 male and 4,860 female students in Wood County schools responded to a survey about the prevalence of bullying. Nearly 27 percent reported having been victimized at least once within the past 30 days. About 94 percent responded that they felt safe at school while about 13 percent stated that they had gotten into a physical fight within the past 12 months.

The initiative has since hosted workshops that train teachers and staff to identify the victims, bullies and bystanders. One of the components includes teachers and students having weekly discussions about how to create a safe environment by analyzing why fights break out or what leads to student altercations.

“We’ve finally turned the corner with people becoming more sensitive and more compassionate and it’s a civil rights, an individual rights kind of an issue,” Bonnell said. “I was a principal and a teacher for 40 years and I spoke out against it and I had staff members that would tell me the typical, ‘Oh, that’s part of growing up, boys will be boys and we can’t do anything about it.”’

He said school leaders might be reluctant to address bullying when the families of the bullies have been rooted in that particular school district or private school for years.

School of fish

After the onslaught of Ruthanne’s fame as a result of Oprah’s attention and Ruthanne’s organization BeYou  YouthEmpowerment, she has fielded countless emails from bullying victims.

People write to Ruthanne to tell her that bullying had once pushed them to drug addiction, gave them suicidal thoughts or even triggered attempts.

Ruthanne said she is often asked about whether one should embrace his or her sexuality.

Becky said she feels blessed that her family is so close and that Ruthanne could turn to a support base for help. But then she wondered just how often even loving parents of preteen kids might become part of the problem.

She described a typical scene when the child comes home after a long day of school and the parents start haranguing him or her for leaving shoes in the middle of the hallway, leaving the bathroom a mess or for missing homework assignments.

“So they think, ‘My parents are always yelling at me, they’re always disappointed in me, ‘I’m always in trouble,’” Johnson said. “They feel that at this age, and so they can feel alone even if they’re not.”

Ruthanne admits to having assumed the bully role before. She has also been a bystander.

Now she wants to provoke bystanders to act. Bonnell said his goal, too, is to empower the bystanders.

The Olweus program has apparently influenced the bystanders before. About 3,400 students in Pennsylvania high schools who participated in the program between 2008 — 2010 were surveyed about its impact.

The results charted a 41 percent drop in the number of kids who reported being bullied.

There was a 33 percent decrease in the number of students who said they would watch their peers be bullied.

“It’s like fish swimming in the sea. You have your sharks, you have your school of fish and you have the pretty rainbow fish at the top and the sharks are going to try to get through to the school of fish and of course they will because they are going to scare them and get to the other fish,” Ruthanne said. “Being in the school of fish is a lot easier because you’re hiding in your little huddle and there’s power in numbers.”

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Lighting the Fuse

Licked

Written by Michael Miller | Editor in Chief | mmiller@toledofreepress.com

“Everyone wants to be on a postage stamp, but nobody wants to die.” — Pat MacDonald

Thanks to the U.S. Postal Service, 22 years after MacDonald sang that lyric on the Timbuk3 song “Standard White Jesus,” you no longer have to.

Of all the honors American society and culture can bestow — hosting “Saturday Night Live,” being parodied by “Weird Al” Yankovic, providing a voice for a “Simpsons” character, being mentioned in a David Letterman Top 10 list, marrying a Kardashian — having one’s image on a postage stamp is the greatest; but until now, it could only happen after one assumed room temperature and could not enjoy it.

The policy does make sense. Imagine if there had been an early 2011 unveiling of “The Coaches of Penn State” stamp series, featuring Joe Paterno, Jerry Sandusky and Mike McQueary. Those stamps would not have graced many Christmas cards by year’s end. The Big Ten Football Conference, which encompasses 12 teams, learned that lesson this year when it had to strip Paterno’s name from its inaugural championship trophy.

By waiting until people are long dead before placing them on a stamp or money, you have a reasonable shot at making sure you know enough about them to avoid such an embarrassing scenario. That doesn’t mean the occasional revelation won’t surface, but we tend to forgive the dead when we discover they endorsed documents espousing equality while owning slaves and fathering children with those slaves.

William Porter recently wrote in The Denver Post that, “When Arapahoe County’s former sheriff was recently arrested and charged with dealing methamphetamine, much was made of the fact that he was jailed, orange prisoner jumpsuit and all, in a building named in his honor. This was not only humiliating for a man once named national Sheriff of the Year. It also posed a serious public-relations problem for the county he once served: What do you do when the Patrick J. Sullivan Jr. Detention Facility houses Patrick J. Sullivan Jr.?”

Ouch.

Death and time also provide context for notoriety and achievement. Fame can rise, burn bright and disappear faster than you can say “Yahoo Serious.” Or “Crocodile Dundee.” Or “Mark Fidrych.” Or “Snooki.” Or “Carty Finkbeiner.”

Still, imagine the fun to be had if you could be on a stamp while still alive! You could carry a postage stamp in your wallet as ID to impress snooty maitre d’s, and being on a stamp would be one of the greatest pickup lines ever.

There must be a thousand variations on “signed, sealed, delivered,” “return to sender,” “you send me” and “I bet you’ve licked me before” a person could smoothly invoke while brandishing a stamp with his or her face on it.

Someone on high must agree, because starting this year, the U.S. Postal Service is not only opening its stamps to living people, it is, in a decision that illustrates the wisdom guiding the organization, asking the public to help choose who could be honored.

Get your portrait ready, Larry the Cable Guy!

According to a news release, “The Postal Service is dropping a rule that currently requires an individual to have been deceased at least five years before being honored on a stamp. Under the new guidelines, living or recently deceased individuals will be eligible for commemoration on postage stamps.”

Can’t wait to see the many costumes of Lady Gaga immortalized!

“This change will enable us to pay tribute to individuals for their achievements while they are still alive to enjoy the honor,” said Postmaster General Patrick Donahoe in a news release. “These remarkable individuals — through their transformative achievements in their respective fields — have made enduring contributions to America. Honoring living individuals expands the interest in stamp topics and keeps our program timely, relevant and contemporary.”

Remember when the public voted on which image of Elvis Presley should be on a stamp? There was young, healthy, sexy, skinny Elvis, and older, unskinny Elvis. Could a similar choice soon face Oprah fans?

Stephen Kearney, executive director of stamp services for the postal service, was quoted as saying, “Engaging the public to offer their ideas is an innovative way to expand interest in stamps and the popular hobby of collecting them. We are inviting our customers to submit the top five living individuals they would like to see on stamps through Facebook.”

Some of the suggestions people have posted include Michael Jackson, who would qualify in a few years anyway (ditto Steve Jobs and Elizabeth Taylor); peace-loving Billy Graham (who was nominated by the same person who nominated violence-loving Clint Eastwood); Dolly Parton, who would require two stamps to illustrate the bounty of her wigs; Ellen DeGeneres, who would have a field day with tongue and licking jokes; Bill Clinton, who would have a field day with tongue and licking jokes; Harrison Ford, who has technically been on a stamp with the Han Solo portrait in the “Star Wars” stamps; Bill Cosby; Madonna; Barack Obama; Bob Dylan; Stephen Hawking; and Jesus Christ (the nominating person wrote on Facebook, “I really want to be able to send letters with Jesus Christ stamps. He even fits both profiles of being deceased, yet is still alive!”)

As no human being is perfect, no human being is beyond making a legacy-shattering mistake. Changing the USPS policy to allow living human beings on stamps is risky, but the conundrum of human nature in all its fallibility is an issue that will most likely never be licked.

Michael S. Miller is editor in chief of Toledo Free Press and Toledo Free Press Star. Email him at mmiller@toledofreepress.com.

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Comics

‘Star Trek’ mash-up is uneven hybrid

Written by Jim Beard | | news@toledofreepress.com

Everyone loves a good mash-up. YouTube would be a very boring place without the bastard offspring of The Beatles and The Monkees, or even Lady GaGa vs. the Ghostbusters. In comics, mash-ups aren’t exactly new, but a book like “Star Trek/Legion of Super-Heroes” can still raise a few Vulcan eyebrows. Unfortunately, the first issue of the new miniseries, a joint venture between DC Comics and IDW Publishing, beams in as a lopsided two-headed whatzit.

The uneven nature of the series begins with the multimedia “Trek” being paired with the lesser-known comic book super-team, which claims a fervent fanbase but just doesn’t have the worldwide clout of Kirk, Spock and co. The comic tries to present both equally, but it’s soon apparent that this is intended to be a “Trek”-heavy project. The Legion is actually an older property, begun in 1958, but DC’s super-heroic teenagers of the far future have never really taken off outside of the comics industry. And this book tends to reflect that situation.

“Star Trek/Legion of Super-Heroes” begins with a glimpse at a dystopian future not dissimilar to that in the famous “Mirror, Mirror” episode of the original “Star Trek” show. But, since this is just the beginning of the tale, no explanations are forthcoming as to that dark scene’s existence. Then we’re shown the real Enterprise and the real Legion, each in their own respective future universes, falling into the aforementioned troubled times. The two casts do not meet, but one assumes they eventually will; why else would we be here?

Overall, there’s not much that transpires in the 22 pages, nothing that you haven’t already seen in countless comics and “Trek” episodes. The art is nice and the writing competent, but for $3.99 you yearn for a bit more meat on the bone. First issues are generally just introductions to the situations, but there’s little here to urge you to buy No. 2. In all, the book stands as a kind of gateway drug, a bit too obviously trying to hook you on either of the properties therein. Whether you fall for it depends on how desperate you are for mash-ups.

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Pop Goes the Culture

New Yankovic album another chapter of hilarity.

Written by Jeff McGinnis | | jmcginnis@toledofreepress.com

In a world where the expiration date on pop artists is just a hair longer than Andy Warhol’s proverbial 15 minutes, Weird Al Yankovic’s 30-year longevity is remarkable. It’s also simple to understand: He’s very, very good at what he does. Maybe the best. For fans of “novelty” music, a passion for Weird Al seems to be common ground. Al’s ability to digest and emulate a wide variety of styles and artists, from a wide variety of eras, means that no matter what kind of music you love, Al has you covered.

Consider his new album, “Alpocalypse.” The CD’s parodies include the usual smattering of takeoffs on modern performers, from Taylor Swift to T.I., from Miley Cyrus to, of course, Lady Gaga. But then consider his original songs, which most Al connoisseurs consider his best work. Here, Yankovic’s musical stylings emulate such diverse influences as Jim Morrison, Weezer, Queen, Meat Loaf and more.

Each of these songs can be enjoyed on its own merits, for the inventiveness of Al’s lyrics and music. But once you catch on to what he’s doing, and how each song throws in small digs at and tributes to the artists he is needling, a whole new level of appreciation opens up. Yankovic’s work appeals greatly to young audiences, but the adults listening can get even more out of it, as long as they are paying attention.

Like “Stop Forwarding That Crap to Me,” his epic album-closer inspired by the works of Jim Steinman. On a surface level, the song is a tremendous piece of observational humor digging at all sorts of obnoxious email forwards (“your quotes from George Carlin aren’t really George Carlin”), one which anyone can relate to. Then you notice how pitch-perfect his emulation of Steinman’s musical stylings are, up to and including overpowering piano backups and endlessly repeated refrains. (After the title has been sung ten times in a row, Al adds, “At the risk of being slightly repetitious … ”)

But the needling is never mean-spirited or cruel, which explains Al’s popularity among his fellow musicians. Most consider it a great honor to be the target of a Yankovic parody. (Some, like Kurt Cobain, said they knew they had made it when they were featured.) “Craigslist,” this album’s lovingly styled parody of The Doors, even features keyboard work from original member Ray Manzarek.

Oddly, the least successful song on the album is the one which has drawn the most attention —the Lady Gaga parody “Perform This Way.” Despite the quasi-controversy about the track leading up to its release, the song itself doesn’t have a lot of insight into the Gaga phenomenon beyond the fact that she dresses funny. I kept expecting a verse to address how much the track sounds like Madonna’s “Express Yourself” or something. Nothing on the level of Al’s hilarious and biting “(This Song’s Just) Six Words Long” or even “Smells Like Nirvana.”

But the rest of the parodies more than pick up the slack. The Swift satire “TMZ” takes hilarious aim at the culture of celebrity trash-digging, while not letting the stars themselves entirely off the hook. (“It’s getting to the point where a famous person can’t/Get a DUI or go on a racist rant.”) Cyrus parody “Party in the CIA” marries its artist’s youthful naivete with a delightfully incongruous subject. And Al’s version of T.I.’s “Whatever You Want” takes aim at pretending to live large when “our economy is in the toilet.”

If there’s a problem with the album, it’s only that we’ve heard some of these tracks before, as five of the songs were released two years ago on the web-only EP “Internet Leaks.” Al fans who picked that up will get only seven new songs, but when the quality of said tracks is so high, that’s not a major problem — especially if one springs for the album’s deluxe version, which features full animated music videos for ten of the songs. And I don’t mind having the older songs again, now that they’ve been put in their proper place as a whole release. (As a theater major, “Skipper Dan” is a big and disquietingly on-target favorite.)

Yankovic is an artist — yes, an artist — who deserves more respect than he gets from a lot of pop culture sources. Many feel they can write him off as a novelty, but novelties don’t get three decades of staying power. His fans remain loyal, with new ones added each musical generation. And it’s undeniable that many of his parodies — stylistic and otherwise — age much better than the songs they emulate. “Alpocalypse” is another fun chapter in one of the most unfairly unsung musical careers in modern history.

Email Jeff at PopGoesJeff@gmail.com.

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Lighting the Fuse

To mock a killing word

Written by Michael Miller | Editor in Chief | mmiller@toledofreepress.com

Unless I am hired to transcribe “The Collected Works of Lil’ Wayne,” there is no circumstance in which I can conceive uttering or writing the racial slur that is represented by “the n-word.”

I toss around curse words as casually as Lady Gaga shows her underwear, but the n-word is in a separate category of epithets. Its intrinsic ugliness defines its taboo, and not even the bewilderingly popular “ga” ending changes that.

Your choice to use the n-word opens you to some reflexive judgments, but you do have the choice to use it. Depending on the context, you push the boundaries from free speech to hate speech, but that’s for you to live with. And while there’s no context for the word that I find defensible, there are contexts that I will defend.

The Zane Trace Players, a theater group at Morgan High School in McConnelsville, Ohio, planned to perform the stage version of Harper Lee’s “To Kill a Mockingbird,” which was adapted by Christopher Sergel. The play was canceled recently by the school’s superintendent.

According to reporter Kathy Thompson, “Lori Snyder-Lowe, superintendent for Morgan Local School District, said she received calls from parents concerned about the play because it contains a racial slur.”

Snyder-Lowe reportedly offered to allow the play to be performed if the n-word were removed.

Bruce Revennaugh of the Zane Trace Players said he contacted the play’s publisher to seek permission to change the script, but was told no. As Thompson reported, “The company receives requests every once in a while to remove the word, said Sergel, but making someone uncomfortable is not a sufficient reason to change a vital piece of American literature. ‘Being uncomfortable with history is not  means to change it,’ Sergel said. ‘We’ve  always denied these requests. People need to figure out how to confront issues’.”

All praise to Sergel for passing on the paycheck to maintain the integrity of Lee’s message. This puts him in opposition to people who would publish altered versions of “The Adventures of Huckleberry Finn” or trample on other works of art based on their own sensibilities.

“To Kill a Mockingbird” is one of the most affecting, enlightening and human books in American literature. The book thrums with an energy of purpose and compassion that can make the spirit soar with joy on one page and kick it to the depths of despair on the next. No American education is complete without experiencing the tale of young Scout Finch’s encounter with Alabama racism during the Great Depression.

As Scout’s father Atticus defends Tom Robinson, a black man accused of raping a white woman, Lee explores the hot-button themes largely through 6-year-old Scout’s eyes. One of the book’s most resonant passages comes when Scout asks her father about a slur she is hearing at school:

“Scout,” said Atticus, “nigger-lover is just one of those terms that don’t mean anything — like snot-nose. It’s hard to explain — ignorant, trashy people use it when they think somebody’s favoring Negroes over and above themselves. It’s slipped into usage with some people like ourselves, when they want a common, ugly term to label somebody.”

“You aren’t really a nigger-lover, then, are you?”

“I certainly am. I do my best to love everybody … I’m hard put, sometimes — baby, it’s never an insult to be called what somebody thinks is a bad name. It just shows you how poor that person is, it doesn’t hurt you.”

It stuns and scares me that someone could read that passage and want to ban or censor “To Kill a Mockingbird” based on claims of racism.

It is important to address the sensitivities of modern audiences, but that has to be balanced with the historical and educational opportunities on a case-by-case basis.

What of a brilliant song like Randy Newman’s “Rednecks,” a scathing, acidic attack on racism that is sung from the point of view of the racist? A censor would have to keep his hand on the button and work hard to keep up with Newman in the song, which employs the n-word close to 10 times.

“We got no-necked oilmen from Texas

And good ol’ boys from Tennessee

And college men from LSU

Went in dumb. Come out dumb too

Hustlin’ ‘round Atlanta in their alligator shoes

Gettin’ drunk every weekend at the barbecues

And they’re keepin’ the niggers down.

Down here we’re too ignorant to realize

That the North has set the nigger free

Yes he’s free to be put in a cage

In Harlem in New York City

And he’s free to be put in a cage on the South-Side of Chicago

And the West-Side

And he’s free to be put in a cage in Hough in Cleveland

And he’s free to be put in a cage in East St. Louis

And he’s free to be put in a cage in Fillmore in San Francisco

And he’s free to be put in a cage in Roxbury in Boston … ”

There’s a novel’s worth of criticism, conversation and education in Newman’s song (and those are just half the lyrics); to me, it’s worth the shock of hearing the word for the devastating indictment of racism the song delivers.

“You never really understand a person until you consider things from his point of view — until you climb into his skin and walk around in it,” Atticus tells Scout.

That holds true no matter what color that skin is, or what vile name you call the person who wears it.

Michael S. Miller is editor in chief of Toledo Free Press and Toledo Free Press Star. Email him at mmiller@toledofreepress.com.

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Gift Guide

Gift guide: Get lost in books

Written by Toledo Free Press Staff Writers | | news@toledofreepress.com

‘Music and Myth’ covers Beatles track by track

Beatles fans got an early Christmas present this year when iTunes began offering the Fab Four’s entire catalog online. You are now able to pick and choose which classics you need to download to flesh out your collection. Now, for real fanatics, comes ”The Beatles, The Music And The Myth” (Omnibus Press, $14.95). Authors Peter Doggett and Patrick Humphries claim it is the “ultimate overview of the Beatles’ recordings,” covering the release of every album, track by track. The book is certainly that. Unfortunately, it is mostly just that, a listing of tracks with comments. It begins with  “Please Please  Me,”  The Beatles’ first full-length album from April 1963 and covers everything from that historic release to “Love,” the Cirque de Soleil production for the Las Vegas stage in 2006.

Any Beatles fan can tell you about the outcry over the meaning of “Lucy In The Sky With Diamonds,” which is included in this book, and that’s part of the problem with “The Beatles: The Music And The Myth”; there’s not much new for fans to discover while reading the short items on each song.  With more than 2,000 books about The Beatles available, it was bound to get to the point where there just wasn’t anything new to say. In fact, I believe every Beatles book ever written has pointed out that “Yesterday” was originally titled “Scrambled Eggs.” The songs have been reviewed, studied and parsed so often that in some cases you can only remember the critique and not the joy you felt when hearing them for the first time.  There are a few gems hidden in the book, like the surprise vocals near the end of “Paperback Writer,” but those are few and far between.  Even the photographs, which dot the 190 pages, seem too familiar. I swear I had some of them on the old collectable cards we all bought back in the day.

If you’re a true Beatles fanatic, put the book on your Christmas list just so you can brag to your friends that you have all the Beatles books. But if you’re looking for a gift for the Beatles fan in your life there are better options out there this Christmas season, including gift cards for iTunes. — Fred LeFebvre

(EDITOR’S NOTE: The following leter was received Dec. 8: “Authors Peter Doggett and Patrick Humphries claim it is the “ultimate overview of the Beatles’ recordings,” your reviewer says of the newly published ‘The Beatles: The Music and the Myth.’ As one of the ‘authors’ of this book, I can assure you that I claim nothing of the kind. This book is simply a repackaging of material that was written twenty years ago, and to which the publisher now holds the copyright, allowing them to reprint it as often as they like. The first I knew about the publication was when a friend told me it was in the shops. So I would like to suggest that anyone who wants to buy a book about the Beatles for the holiday season should look elsewhere – for example, at my own ‘You Never Give Me Your Money: The Beatles After The Breakup,’ published a few months back by HarperCollins. Best wishes, Peter Doggett, Fareham, England.”)

Book offers dawning of the ‘Dead’

The first time I came across the book  “All My Friends Are Dead” (Chronicle Books, $9.95), I immediately judged it by its cover. Being a comic strip artist, I was drawn to the simple and childlike illustration of the dinosaur on the front cover. The dinosaur’s expression is one of humorous surprise. It is drawn beautifully with thick, uneven lines and solid color. It reminded me of some of the children’s books I read growing up or have read to my own kids.

On each page are simple, cartoon-style illustrations of all kinds of characters that respond to the issue of mortality — namely the mortality of their friends of a like kind. We hear from everything from dinosaurs, trees, the elderly, socks, chickens, snowmen and more. And each have their own humorous quip on the subject of the inevitable.

The illustrations are wonderfully created, funny and complement the writing ideally. Yet, I didn’t necessarily find myself laughing out loud as did others who had commented on the various blogs I read after the fact.

To see if perhaps I had missed something, I shared the book with my wife to get her reaction. She has always been exceedingly honest and upfront with her opinion — which I can count on when it comes to my own work. I gave her little indication of my take on the book. Within a matter of seconds she was bursting out with a laugh here and a snicker there. It was the kind of laughter one tries to hold back because somewhere inside you wonder if it’s okay to be laughing at something that’s even mildly morbid. But there it was, the objective opinion I was looking for.

“All My Friends Are Dead” is not for everyone, especially children or those who lean away from dark humor. But its creators, Avery Monsen and Jory John, who write the “Open Letters” comic for Toledo Free Press Star, have developed a loyal and growing following. Many people on several blogs have indicated that they love this children’s book for adults, which is referred to as “both the saddest funny book and the funniest sad book you’ll ever read.” Some even going as far to say they are buying multiple copies to give as gifts to their friends … who obviously, are not dead. — Jeff Payden

‘Star Wars’ universe parsed in trio of new books

As the last traces of the “Star Wars” universe on film fade before a generation’s exposure to the animated “Clone Wars” television series, more attention is being paid to analyzing and chronicling the six-movie series.

Last year brought the epic 1,232-page “Complete Star Wars Encyclopedia,” which spanned three hardcover volumes, magnificently captured the minutia fans love, and was outdated by the time you unwrapped it, as the mythos grows with new “Star Wars” books, comics and TV episodes nearly every week.

This year, “Star Wars” fans will be happy with any or all of three new books that keep the hardcover collection growing.

For the fan of the visuals, “Star Wars Art: Visions” (Abrams, $40) offers 175 pages of stunning interpretations of all six films, from such master illustrators as H.R. Giger, Moebius, Alex Ross, Julie Bell and Boris Vallejo, Jamie Wyeth and 100 others. From cubist impressions of Boba Fett to an intimate look at Aayla Secura, the large-format spreads offer new and progressive interpretations of pop culture’s most familiar sci-fi/fantasy characters.

If you are limited to choosing one of these books this season with your gift card, “Visions” is the one.

“Star Wars: Year by Year, a Visual Chronicle” by Ryder Windham and a number of LucasFilm experts (DK Publishing, $50), is the ultimate argument-settling source. By placing the entire “Star Wars” experience in day-by-day context, from creator George Lucas’ birth in 1944 to the December 2010 release of the book “The Sounds of Star Wars,” the series is at once elevated to its important place in film and pop culture history and relegated to its proper place as entertainment alongside historical events ranging from the Iranian hostage crisis to the earthquake in Haiti.

There are enough facts, myth-buster factoids and never-before-seen illustrations to keep a “Star Wars” fan reading until the book is undoubtedly updated.

For the tech geek on your shopping list, “The Sounds of Star Wars” (Chronicle Books, $40) offers an inside look at how Academy Award winner Ben Burtt created the distinctive and endless sound effects for the films. Darth Vader’s breathing was a variation of Burtt hissing through scuba gear; the Millennium Falcon’s whoosh comes from World War II-era racing planes.

The book comes with an external speaker, a headphone jack and 250 recorded sounds from the movies. It’s interesting from a tech standpoint, but lacks the visceral and trivial thrills of  “Visions” and “Year by Year.”

For the fan who no longer collects “Star Wars” action figures but still keeps them safely tucked away in the attic or basement, any or all of these books will keep The Force going strong well into 2011. — Michael S. Miller

Cookbooks stir up mixed batch of recipes

At first glance, Sandra Lee’s “semi-homemade” recipes may seem like taking normal convenience foods and just doctoring them up. If you look a bit deeper into her two latest cookbooks, you’ll find more than that.

“Sandra Lee Semi-Homemade: The Complete Cookbook” (Wiley, $29.95) says it contains “1,001 easy everyday recipes for ‘the way we cook today’.” But a beginning cook, when trying to make the “Mint Meringue Kisses,” found that the egg whites were not stiff enough, and the end result was “Mint Meringue Discs.”

The “Chocolate-Butterscotch S’mores” turned out just as they looked in the cookbook and tasted great.

Pasta is a favorite in our house, but the “Mexican Style Macaroni and Cheese” was a disappointment since it was basically boxed Kraft Mac and Cheese cooked then tossed in the oven to melt additional cheese; the additional oven time made it over-cooked. The “Four-Cheese Macaroni” was closer to a scratch recipe and is one that will be made again.

“Sandra Lee Semi-Homemade: Comfort Food” cookbook (Wiley, $19.95) is “149 feel good favorites.”  The “Ravioli Lasagna” was tested twice, once in the slow cooker as the recipe called for and once in a regular oven. I’d recommend making it in the oven, the slow cooker made the ravioli almost too soft.

“Slow-Cooked Greek Chicken” is a recommended slow cooker recipe, with or without the olives. It was good over both orzo and rice.

The additional information in “The Complete Cookbook” is handy. There are diagrams showing how to set a table for different types of dinners and some decorating ideas that we used for Thanksgiving.

I’d recommend either cookbook for someone just starting out cooking or for someone who might want to try some different recipes that do not require a high level of cooking skill. — Aubrey Birukow

An all-business look at Christmas

At first glance, Bruce Kluger and David Slavin’s “Twas the Night Before Christmas, 21st Century Edition” (Andrews McMeel Publishing, $9.99) appeared to be a fun, well-illustrated, lighthearted Christmas book. Though clearly meant more for the 21-and-over crowd, the book looked ripe to be a conversation piece on the coffee table this holiday season. One would expect a quick, easy read with a few laughs.

Unfortunately, that’s not quite what Kluger and Slavin supply with their satire on Christmas and big business.

This book, which appears to be little more than a thick magazine, is much more time-consuming than anticipated. The illustrations, of which there are many, actually slow the reader down considerably as most require time for study and interpretation. Many illustrations are fictitious memos sent within this polar enterprise, which are extremely monotonous.

However, many of the laughs to be had from this book (which are surprisingly infrequent) actually come from these distractions, rather than the story itself, which is told in rhyme, keeping with the tradition of the original children’s story.

To their credit, Slavin and Kluger have produced a surprisingly plausible representation of big business, especially merger/acquisition activity common on Wall Street. Of course, the story, of a nephew scheming to seize the North Pole from Santa Claus, is somewhat exaggerated.

This does little to help the fact that, as a piece of coffee table literature, this book is a less-than-stellar choice. With language that is inappropriate to print here and several questionable illustrations – the coup de grace being an extremely suggestive mock cover of Maxim Magazine featuring Mrs. Claus’’ face plastered on the body of a scantily clad model — make this material definitely unsuitable for younger eyes.

Those with no small children and $10 to spare might enjoy this book, given a preference for crude jokes and political incorrectness. — Dock David Treece

Book ‘translates’ rap lyrics

“Understand Rap: Explanations of Confusing Rap Lyrics You and Your Grandma Can Understand” by William Buckholz  (Abrams Image, $12.95) is a fun read and a guaranteed conversation starter. While there are no racial overtones to be found, reading what a rapper has written then reading what it means to the ‘un-hip’ takes great advantage of cultural dialogue differences.

Despite being limited in size, this book is certainly worth the 20 minutes or so of read time, and potential hours of re-read time. Without a doubt, the sterile, clinical explanations of the rap lyrics are the best part of the book. Imagine Wilfred Brimley explaining to you what Notorious B.I.G. meant when he said “Get Swiss-cheesed-up” and you’ll start to get an idea of what this book is like.

Compartmentalized into topics such as money, drugs and alcohol, insults, cars, sex and relationships, crime and weapons, fashion, skills and pride, people and places, “Understand Rap” covers the most popular topics found in rap music.

While this paperback is an extension of understandrap.com, created by Buckholz, it is limited in scope. The focus on popular rap lyrics omits explanations from some of the biggest rappers, rap groups and hall-of-fame-worthy artists. Sadly, there were no explanations for any Talib Kweli or Scarface bars; Bun B and Cypress Hill are missing and there is no mention of Kid Cudi or Drake rhymes.

The book is a great stocking stuffer for music fans. The dry humor found in the textbook tone of the explanations are only funny if you can picture grandma explaining what Lil’ Wayne meant when he spouted “I’m comin’ with a gun like Nintendo.” — Mighty Wyte

Book offers encyclopedic overview of ‘Lost’

Who is the smoke monster? What is the incident? What is the island? What do the hieroglyphics mean? From the simple to the existential, “LOST Encyclopedia” (DK Publishing, $45) has the answers.

The compendium of facts and mythology from the hit ABC show aims to be a guide to all the details and characters. It succeeds and is the perfect gift for any Lostie or even the casual fan.

Co-authors Paul Terry and Tara Bennett worked tirelessly to compile the 400-page encyclopedia from A to Z — Aaron Littleton to Zoe.

“‘LOST Encyclopedia’ was by far the most consuming project I’ve ever done,” Bennett said in a recent interview with Toledo Free Press Star. “It was a lot of work.”

Bennett, who has already written 12 books, spent 10 months working on “LOST Encyclopedia.” A typical book would take about three to four months to complete, she said.

Both authors worked together for five and a half years on LOST: The Official Magazine. Executive producers Damon Lindelof and Carlton Cuse, both of whom wrote the foreword, liked the idea of an encyclopedia, and something that would focus on the mythology, Bennett said. They asked Terry if he wanted to work on the book, and he then asked Bennett if she wanted to join him.

“When you’re writing the mythology, it’s huge,” Bennett said. “Paul and I had to shed every bias and really align our writing to what the show’s opinion was. Our point of view was their point of view.”

“LOST Encyclopedia” was created in collaboration with ABC and is the first and only official comprehensive guide to the show. More than 1,500 photos, including maps and artifacts from the show, are used throughout the book. For example, the blast door map and charts of the island provide insight and a closer look at fleeting moments from the show. Graphics include Sawyer’s nickname hall of fame and Desmond’s back and forth timeline.

“We researched the heck out of this,” Bennett said. “We wanted to get it right.”

The authors wrote the smallest entries first and worked their way up to the largest entries, which include main characters like Jack Shephard and John Locke, Bennett said. They started working on the book in November of 2009, before Season 6 began in January of 2010. They finished the book in August, she said.

“It was grinding, but (Terry) was the best cheerleader and partner,” she said. “We knew we had to have a higher standard and we wanted to deliver to the fandom.”

Mission accomplished. — James A. Molnar

British music journalist Paul Lester explains why the woman named Stefani Joanne Angelina Germanotta deserves her own biography: She’s driven the world completely gaga.

He writes in the book “Looking For Fame: The Life of a Pop Princess” (Omnibus, $17.95), about the loads of work and failure that went into making the woman also known as Lady Gaga.

The book is a perfect gift for any Gaga fanatic. It showcases her artistic motives and rise to fame, while also giving a glimpse into her dark, drug-filled past.

Lester’s easy-to-read biography is full of fun facts like how Gaga was taught at the same New York City private school that Paris and Nicky Hilton attended. The book also reveals that she came up with her stage name with a fellow producer after the Queen song “Radio Ga Ga.”

But the book’s most gripping chapter, “Dance in the Dark,” gives a detailed account of her days experimenting with various drugs. In this chapter, Lester describes what Gaga calls her “coke years,” before her friends and family intervened. Lester quotes Gaga calling it “one of the most difficult times,” but also said they were pivotal for her to experience since it allowed her to become the star she is today.

“Looking For Fame” has a British twist. According to the book, Gaga was more famous overseas when she first began her career. The main sources Lester cites are British tabloids and newspapers, as well as the BBC program “Friday Night with Jonathan Ross.”

The book explains the birth of her “disco stick” (a term made famous in her song “LoveGame”) and the meanings behind many of her off-the-wall outfits. It also gives a perfect description of the Haus of Gaga, the team of artists who help plan her performances.

Any Gaga fan would find enjoyment within the pages of this book. The chapter names being Gaga references like “The Fame,” “Boys Boys Boys” and “So Happy I Could Die,” give a treat that only the truest fans can appreciate.

One interesting fact the book points out is even though she’s only recorded one full-length album and an eight-track EP, the Lady has already changed pop music. — Matt Liasse

Book offers sex tips from Rock stars

“I walk around assuming that people I’m interested in would not be interested in me,” says Danko Jones, one of 23 rockers interviewed for the book, “Sex Tips from Rock Stars” (Omnibus, $19.95)

Like Jones, musicians interviewed were remarkably willing to share opinions (and vulnerabilities) in response to questions posed by author Paul Miles. The format, fully comprised of direct quotes, worked well, allowing the reader inside access to this personal conversation.

Stars such as Andrew W.K., Jimmy Ashhurst of Buckcherry, Lemmy of Motorhead and Bruce Kulick of Kiss join two dozen other rockers in contributing to the book.

“Sex Tips from Rock Stars” aims to give you access into the sexual world of rock stars, to serve as an entertaining “sex manual.” Miles’ explains that celebrity status attracts people who are “primed to please” (i.e. groupies) giving rockers a “sexual world that others can only dream about,” the reason he believes that detailing their sex lives will serve as “self-help” for readers.

But as a professional sex therapist, I must point out that (unless you only seek one-night stands) a partner with the sole mission of pleasing you is not likely to ensure deep sexual satisfaction.

In fact, it usually ensures the opposite.

In my sex therapy practice, when a man reports low sexual satisfaction, quite frequently his partner has been engaging sexually to please him rather desiring to connect sexually with him.  But he doesn’t want favors in his relationship. He wants to be wanted.

Further, excessive focus on pleasing a partner distracts a woman from experiencing her sensation and emotion in the moment, the most common underlying reason when sex in a relationship feels like a “chore” rather than desirable.

And if sex is a chore for a woman, then no one is happy.

But then again, if many (many) raunchy details of a rocker’s life sound appealing, this book will make you happy.

And down in the detail are nuggets for better intimacy, too.

Amidst questions regarding breast enhancement and rare fetishes, rocker Chip Z’Nuff offers sound advice, “Spend quality time … that’s what we all want. You see an old couple out there and they are holding hands and hanging out together, that’s what everybody wants if you think about it.”

“Sex Tips from Rock Stars” aims to be “part rock biography … and part self-help.” Regarding rock biography, this book delivers, oozing with private details generously shared by these rockers.

But if you want effective sexual self-help, then I recommend you grab a copy of Paul Joannides’ expertly written, lively, respectful, and informative, “The Guide to Getting it On.” — Lori Hollander

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