Lighting the Fuse

‘8’

Written by Michael Miller | Editor in Chief | mmiller@toledofreepress.com

Jennifer Rockwood is a force of nature. The director and actress, who serves as assistant dean for the University of Toledo’s College of Innovative Learning and director of the First Year Experience Program, possesses a personality designed to mobilize other people into action.  As a 20-plus-year veteran of theater on and off campus, she has guided hundreds of people through the always compelling and often introspective journey that leads actors to the stage.

I have known Rockwood since the early 1990s, when I was a student journalist and she was directing plays at UT. She is as much a part of my definition of “Toledo” as a Mud Hens game, the High Level Bridge and a signed hot dog bun at Tony Packo’s. Her husband, John, is one of the naturally coolest men on the planet, a musician with Voodoo Libido who also takes insightful and often breathtaking photos of other musicians.

In July, when Rockwood asked if I would take part in a staged reading of the marriage equality play “8,” I jumped at the chance to work with her and be part of an important social and political statement.

“8,” written by Oscar-winning screenwriter Dustin Lance Black, appealed to me because it is very much a work of journalism. Black took the court transcripts of Perry v. Schwarzenegger (now Perry v. Brown), a federal district court case filed to overturn California’s Proposition 8, which banned gay and lesbian couples’ right to marry in that state. By presenting actual transcripts of testimony (from a trial that had been closed to television broadcast), Black was revealing the testimony and facts behind the arguments.

I have long maintained that gay marriage in the United States is as inevitable as interracial marriage and other once-contested civil rights. There is no cogent, empirical argument that allowing gay people to marry has any detrimental effect on heterosexual marriage, that stalwart institution that barely 50 percent of Americans can successfully navigate. You don’t have to like it, but understand that your distaste is irrelevant to the legal and social standards that should guarantee this right for all Americans.

The cast of “8” met for one table reading and two stage run-throughs before the Oct. 7 performance. My role, marriage equality advocate Evan Wolfson, was a brief but loud moment of conflict on a talking heads news show, arguing with marriage equality opponent Maggie Gallagher, played by Merlaine Angwall. The brief appearance called for us to step on each other’s lines in protest and escalate our rhetoric to a flash of righteous anger.

“Loud and indignant? I can do that,” I told Rockwood.

It was a tremendous learning experience, watching the actors and nonactors gel and slip into character. I was particularly struck by the efforts of Ben Pryor as Proposition 8 proponents’ attorney Charles J. Cooper and John Meadows as proponents’ witness David Blankenhorn. Both men took difficult strings of often stuttering, insupportable dialogue and brought them to life with wit and empathy.

“8” also features real commercials that were run to convince California voters to overturn gay marriage rights. The commercials are stunning examples of lying propaganda, focusing on how marriage equality would supposedly destroy families, children and education as we know them.

As plaintiffs’ attorney Theodore B. Olson (played by John Adams) argued, “The overwhelming evidence proves that allowing persons to marry someone of the same-sex will not, in the slightest, deter heterosexuals from marrying or from having babies.”

Some of the most striking moments in “8” focus on the frustration gay couples feel in not being able to participate in marriage and how that exclusion keeps them from expressing the basics of their relationships and humanity.

As spoken by plaintiffs Jeff Zarrillo (Rob Salem) and Paul Katami (Larry Dean Harris), “A civil union? A domestic partnership would relegate me to a level of second-class citizenship, maybe even third-class citizenship. It doesn’t give due respect to the relationship that we have had for almost nine years. Only a marriage could do that. … ‘Husband’ is definitive. It’s something that everyone understands. There is no subtlety to it. It is absolute, and comes with an understanding that your relationship is not temporal, it’s not new, it’s not something that could fade easily.”

Illuminating testimony about gay marriage was provided by Gary Segura (played by Carter Wilson): “For starters, and I would include in this undocumented aliens who are a distant second, there is no group who has been targeted by ballot initiatives more than gays and lesbians. The number of ballot initiative contests since the late 1970s is probably at or above 200. Gays and lesbians lose 70 percent of the contests and 100 percent of the contests over same-sex marriage and adoption.”

In his closing argument, Olson said, “The Supreme Court has said that marriage is the most important relation in life. It is the foundation of society. It is essential to the orderly pursuit of happiness. It’s a right of privacy older than the Bill of Rights and older than our political parties. A right of intimacy to the degree of being sacred.”

Denying anyone that right is un-American. And as Blankenhorn testifies (to the chagrin of Proposition 8 believers), “we would be more — emphasize more — American on the day we permitted same-sex marriage than we were on the day before.”

More than 500 people attended Rockwood’s one-time only reading of “8.” My guess is the vast majority of them already support marriage equality. It is up to them, and forces of nature like Rockwood, to keep educating and working to share the message that “8” dramatizes so effectively.

Michael S. Miller is editor in chief of Toledo Free Press and Toledo Free Press Star. Contact him at mmiller@toledofreepress.com.

Tags: , , , , , , , , , , , , , , , , , , , , , ,

Theater

UT provost debuts play with Glacity Collective

Written by John Dorsey | | news@toledofreepress.com

William McMillen is a man of many passions. As provost and executive vice president of academic affairs for the University of Toledo he is committed to higher education and in his downtime he is just as passionate about the written word.

McMillen’s personal quest for creativity recently led him to pen a new play for the Glacity Theatre Collective. The play, “Exhibition,” is set to open in the University’s Center for Visual Arts at 8 p.m. Jan. 27.

The production features Brian Purdue, Starr Chellsea Cutino, Ben Pryor, Jennifer Lake, Pamela Tomassetti and Dave DeChristopher (a Toledo Free Press contributor). Cornel Gabara is directing for the company.

According to a news release, “The play is composed of three scenes that focus on a couple, Sharon and Raymond, at key points in their married life: their engagement, in the midst of raising children, and after the children have grown and gone.  Each of the three couples is played by a different pair of actors, and, though the characters at the focus of each scene are not aware of it, their older/younger selves are also onstage, providing depth and nuance to each story as it unfolds in real time under the disinterested eye of a security guard.”

“The set for the piece is extremely simple, just a bench in front of a painting, yet I think this is a very challenging play for the audience, with all of the characters interacting at the same time,” McMillen said.

McMillen, who is originally from Wisconsin, first got his start as a writer while in graduate school at Ohio University in Athens where he majored in English/creative writing and minored in theater. Exhibition marks his debut as a produced playwright.

“One of the reasons why I wrote this particular play is that I’ve always been interested in family relations. I thought Glacity was a good fit for the play because I had been following their productions, and I really admire theater that goes outside the mainstream. This is a different theater experience in a different setting, but that’s a good thing. Theatre can be funny, it can be song and dance, it can be serious; that’s the beauty of it.”

Additional performance dates are Jan. 28, 29 and Feb. 3, 4, 5. Sunday matinees will begin at 2 p.m., Friday and Saturday shows begin at 8 p.m. Tickets are $20 at the door and may be purchased at www.glacity.tix.org. Jan. 29 is a “Pay What You Can” matinee. The Center for Visual Arts is located at 620 Grove Place next to the Toledo Museum of Art.

For more information, visit www.glacity.org.

Tags: , , , , , , , ,