ACT

Richardson: Sharing Toledo love, on a national level

Written by Rachel Richardson | | artcornertoledo@gmail.com

In Toledo, we’ve grown accustomed to nonstop action. Every day of the week offers something to get into and on the weekends there are almost too many happenings to choose from, each one presenting culture, art and activism.

This winter kept up with that spirit so much that I am pressed to find time and space to process it all. The distance required for true clarity has me craving a trip.

Synchronicity has decided that it will be to Washington, D.C.

A woman whose courage astounds me made a huge move there a couple of months ago to stretch her law degree and talents in ways that were not presenting themselves here and, surprising even myself, I fully supported the relocation.

Little did I know that soon after her departure I would take advantage of her company, apartment and new life to create for myself an art tour in our nation’s capital.

So on a fairly quiet weekend between the inaugural Toledo SOUP (which was an enormous success), The Mix Perspective, Toledo’s first Pecha Kucha (Look it up: it’s at Manhattan’s on March 31) and the joyfully impending “Works” Show at Bozarts and Arts Commission’s Artwalks, ACT is taking a weekend getaway.

In the past year, I have traveled more than I have in my whole life. Whether it was the plan, each trip has become a fact-finding mission about the art and culture of whichever city I would visit. New cities have filled my head with ways to show Toledo a little more love, which is my reason for living. To love Toledo is a powerful thing. To love Toledo as it is compared to the downtown of another city is overwhelming.

And to see Toledo for the first time when arriving home after time spent in another city is more emotional than I can describe.

I look forward to re-creating that feeling and to do all of the things between now and when that happens next. In D.C., there is a place called the Toledo Lounge. I am finding that most of the country’s knowledge of our magical town is limited to the very endearing Jamie Farr and Tony Packo’s. Both are institutions, granted, but pretty stale as far as notoriety goes.

One of my goals during my visit is to make the Toledo Lounge aware of what is really, currently noteworthy about the city from which it borrows its name.

Yes, I have heard of Toledo, Spain, and have considered that the Lounge has heard of it, too. Maybe I’ll visit there someday.

But, for now, my pride dispersal is limited to North America.

Part of the plan for the Toledo Lounge is to give it real memorabilia and evidence of Toledo by donating stickers and items from local businesses and creators.

I’ve put a call out to friends at Toledo.com and JUPMODE but if there is anyone reading this who would like to contribute to the cause, let’s cut out the middle person and how about you just mail the items? Tell them it’s with love from Toledo, Ohio. The address of Toledo Lounge is: 2435 18th Street NW Washington, D.C., 20009.

Another reason I am drawn to Washington is a recent brush with leadership in the form of a chance grocery store encounter with Rep. Marcy Kaptur. Never being one to pass up an opportunity to be a little pushy and strange (just ask Mayor Mike Bell about how many times I’ve invited myself into his space while he’s trying to eat lunch), I approached Rep. Kaptur at Kroger a few weeks ago while she filled water jugs and we had a very nice talk about the arts in Toledo.

Admittedly and willfully ignorant of the ways of politics and politicians — I still know Rep. Kaptur as an ally to the Toledo artist community and my heart thumped for hours after our conversation.

The idea of dipping into her world of marble and grand buildings makes me feel insignificant in my anticipation. That bodes well for the actual trip, since that’s exactly why I’m going.

A trip to the mountains in Colorado last summer taught me that sensation. I get glimpses of it each week at the Toledo Museum of Art and the Valentine Theatre. To be a quiet, nameless observer of things that are much bigger than me is the objective.

That and to infuse a little ToledoLOVE on a national level.

Email artist and activist Rachel Richardson at star@toledofreepress.com.

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Exhibits

Superior Studios art show postponed

Written by Brigitta Burks | News Editor | BBurks@toledofreepress.com

Local painter Nate Masternak is planning an art show at Superior Studios Art Gallery. He had planned to exhibit Feb. 24 and 25, but has postponed the event.

Masternak, whose day job is at Principle Business Enterprises, has a studio at 335 N. Superior St.

“I pretty much liked [Superior] right away,” Masternak said of the space. He decided that he wanted to exhibit after a particularly successful 2011.

“I was gonna try to outdo myself and try to have more shows. I make a lot of paintings and I don’t get to be in a lot of shows. I decided to try to set something up,” Masternak said.

His work fluctuates between reality and the abstract. “Most of the time, it’s ideas that I have about things that could be existing or theoretical. It could be emotions or experiences, just like what-if paintings,” he said, adding he also creates images that are “nice to look at.”

Masternak began drawing as a child and moved into painting as a teenager. However, he found he didn’t love painting like he loved drawing. But after becoming involved with Young Artists at Work, an employment program for teens run by the Arts Commission of Greater Toledo, Masternak learned he enjoyed painting the more he did it.

About 30 of his works will be on sale for between $50 and $3,000 at the show.

To learn more about Superior Studios Art Gallery or reserve a space, call (419) 346-5803.

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In Concert

Columbus bands swarm Toledo tavern

Written by Brigitta Burks | News Editor | BBurks@toledofreepress.com

Central Ohio bands invade Toledo when five Columbus bands take the stage at Ottawa Tavern on Feb. 24 and 25.

INVASION is the brainchild of Adam Sattler of Ottawa Tavern and Stephen Pence of Kobo, a Columbus venue. Last weekend, Toledo groups The Forest, The Miracle Vitamins, GOLD and Thirty Three & 1/3 played in Ohio’s capital city in support of the Columbus Music Co-op. This weekend, Alert New London, Dirty Girls, This Is My Suitcase, She Bears and Old Hundred will play at the Ottawa Tavern. Netherfriends, a Chicago-based artist, and The Dub Starlings of Toledo will join them.

“We were all becoming friends but everybody was coming through at different times and we decided [INVASION] would just be a good time for all of us,” Sattler said of the groups’ decisions to form a collaboration. Other cities have approached Sattler about doing similar swaps, building what Sattler hopes will become a “more connected Midwest music scene.”

There is no cover, but a $5 donation to the Arts Commission of Greater Toledo is suggested. Shows begin at 10 p.m. Feb. 24-25 at Ottawa Tavern, 1817 Adams St., Toledo. Visit otavern.com to learn more.

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Arts

You Are Here Project to foster greater sense of community

Written by Brigitta Burks | News Editor | BBurks@toledofreepress.com

Submissions opened Jan. 2 for the You Are Here Toledo Project, a public arts effort meant to foster a sense of community.

You Are Here (YAH), which officially launches in June and ends in October, will place 100 3-foot wide dots on the sidewalks of the area’s hot spots. The project is inspired by “you are here” dots found in many directories. The American Institute of Graphic Arts Toledo (AIGA) created the concept after being approached by the Arts Commission of Greater Toledo (ACGT) about six months ago.

“We are very big fans of promoting our community, the designers in the community and the community itself. We want people to feel really good about living here,” said Jenn Stucker, president of AIGA Toledo and YAH coordinator.

AIGA and ACGT have worked together on large-scale public art projects in the past, including the Urban Forest Project, a spring 2010 series of outdoor banners relating to trees.

“One of the things that excites us about what [AIGA] is able to do is through the project that they’ve come up with, they’re able to engage a group of local artists that may not have always been engaged in public art,” said Dan Hernandez, coordinator of art in public places for ACGT.

“When you think of public art, you think of large-scale, sculptural elements. What AIGA’s been able to do is help us rethink that and engage local, two-dimensional artists.”

Artists have until Jan. 31 to submit three examples of their best work, which must be JPEG or PDF files no bigger than 10 MB, to www.youareheretoledo.com. AIGA will judge the submissions and by Feb. 7 it will alert the chosen artists, who must have their dot design completed by March 16. The dot design should relate back to the artist’s assigned location. Installation of the dots begins around the end of May and a June event is being planned to officially launch YAH.

On the first day of open submissions, Stucker received entries from 10 artists, including printmakers, graphic artists, comics artists and photographers. “They’re people who I haven’t seen participate in projects like this so I’m pretty excited about that,” she said.

YAH began when the Art in Public Places Committee of ACGT decided it wanted to launch a public art project in time for the Glass Art Society 42nd Annual Conference, taking place June 13-16 in Toledo. The conference should bring about 1,200-1,500 visitors to the city.

After being approached by ACGT, AIGA brainstormed ideas for a public arts project and came up with the YAH dots, which are meant to encourage visitors and citizens alike to explore Toledo, Stucker said.

A QR code, which can be scanned with a smartphone, and a URL will be on each dot, providing viewers with information on the location and the artist. An online map of the dots will be created as well, and the first 100 people who scan 25 dots will receive a poster.

“Sometimes people need that additional context to understand what they’re looking at. It’s kinda a unique way to interact with the artwork,” Hernandez said of the technological addition to the project.

CGS Imaging will produce the dots, which will stick to the sidewalks with adhesive and can be walked over, said Chuck Stranc, president of CGS. CGS will use an eco-friendly, water-based latex Hewlett Packard ink on the dots.

“It actually is more durable than the old technology, but it’s not hazardous to the environment,” Stranc said.

AIGA worked with the city to get permission to place the dots on sidewalks and is in the process of alerting the selected participants, Stucker said. Many of the likely locations will have something to do with glass, like the Rosary Cathedral, known for its stained glass windows, Libbey Glass Factory and the Glass Pavilion of the Toledo Museum of Art. Other locations include the Lagrange Polish Village and Owens Corning.

YAH is funded with $26,000 from the One Percent for Art program, a 1977 ordinance that puts aside 1 percent of the city’s capital improvement budget for public art.

The amount is low for a public art project and YAH may even go under budget, Hernandez said. “But, we’ll have a nice, robust impact on the community.

“Overall, public art has the ability to impact the way that the city looks and feels; it gives a sense of humanity to the city. If you’re in a city that has no art or design mixed in with the function, it can be a very bland place,” he said.

Public art projects like YAH are important to the community because they provide an outlet for conversation, Stucker said.

“It creates dialogue; it can be all kinds of dialogue: what is this thing about, I love this, I hate this thing and why do I hate this thing.”

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Publisher's Statement

Pounds: Year in review

Written by Tom Pounds | President / Publisher | tpounds@toledofreepress.com

There are still several weeks left in 2011, but it is time to start cataloging some of the accomplishments of the past year.

Despite some hefty surprises and unbelievable setbacks, the 2011 ledger will show a positive and productive year. The personal high — the birth of my daughter Harper — can’t be matched by any professional feta, but it was a great year. In addition to a raft of business milestones and editorial triumphs, I am particularly proud of our philanthropic contributions during the past calendar year.

  • Smoke on the Water — Ribs for the Red Cross overcame rain to fill the riverfront with headliners Tonic and John Michael Montgomery.
  • We sponsored the “Holiday with Heart” event at the Toledo Club, a sold-out event which benefited AIDS and HIV organizations in the local gay and lesbian community. We are also sponsoring this year’s event, set for Dec. 3.
  • Toledo Free Press initiated a private fundraising drive that brought in $12,000 for the Toledo Symphony Orchestra trip to Carnegie Hall in New York City, which nullified a request for the funds from taxpayers.
  • “Education Champions,” a news series that highlighted local Toledo Public Schools projects and resulted in a multimedia awareness campaign that culminated in WGTE’s literacy program, First Book, winning a grant from the United Way.
  • “Restaurant Week Toledo,” which involved more than 16 restaurants and raised funds for Leadership Toledo’s high school scholarship program. We will launch this again in late January.
  • We partnered with and facilitated a Columbia Gas of Ohio program that provided free or reduced-cost programmable thermostats, showerheads and home energy audits.
  • The “Egypt Experience” and Artoberfest promotions with the Toledo Museum of Art were highlights of our friendship with the museum.
  • We participated in our first Arts Commission Art Walk series, which led to our sponsorship of the “Zygote in My Fez” poetry festival.
  • Toledo Free Press co-sponsored a Red Cross program, “Ready U,” a 12-month educational series that offered free sessions on a variety of safety and disaster-preparedness topics. The second “Ready U” series is under way.
  • Our  “Round Up Hunger” series focusing on Feed Lucas County Children resulted in a fundraising campaign through Walt Churchill’s Markets.
  • We co-sponsored a Banned Books Week awareness series at the University of Toledo to fight censorship. This was our fifth year with the event.
  • The Northwest Ohio Chapter of the National Multiple Sclerosis Society honored our work at a magnificent event in October.

The Ohio Society for Professional Journalists award for Best Weekly Newspaper in Ohio, our third consecutive such honor, capped our year.

This is not a definitive list, but we are grateful for each and every one of these partnerships and opportunities. We take none of them for granted and hope to expand upon them moving forward.

Thomas F. Pounds is president and publisher of Toledo Free Press and Toledo Free Press Star. Contact him at tpounds@toledofreepress.com.

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Glass City Muse

Dorsey: Beginning of an era

Written by John Dorsey | | news@toledofreepress.com

When I started this column I told you my story, how poetry how poetry first came into my life and its impact on everything that I am. I ended that very same column by telling you that now it was your turn, and I meant it.

I would like to tell you about the upcoming Toledo Free Press Star poetry page.

After a conversation with Editor in Chief Michael S. Miller at the most recent ACGT Art Walk, it was decided that we would provide a forum for the literary community, locally and beyond. What form will the page take? I don’t know, exactly, that’s the exciting part. It’s really up to you. I do have a few ideas. I’d like to do regular profiles on area poets, interviews, pieces on upcoming events, book and magazine releases and reviews, theme pages … but most importantly I’d like to publish your poems. They’ll have to be short, at least small enough so I can fit a few on the page; I’m thinking 10-20 lines, though I won’t rule anything out.

I’d like to start with a piece by Jason Hardung, one of the poets in the Zygote in My Fez festival, Aug. 6 at the Collingwood Arts Center, co-sponsored by www.zygoteinmycoffee.com, www.redfez.net and Toledo Free Press. Hardung may not be from our fair city, but let’s hope Toledo gets under his skin and he never wants to leave.

‘The Way Things Shine’

Walking through the alley

Behind the Elks Lodge

Trying to avoid the people on the sidewalk who

Hold hands and point at architecture who

Only worry about interest rates

Whether their eggs are organic

And if the weather will cooperate with their plans

When a guy wearing an old army coat

A sleeping bag strapped to his back by a shoestring,

Afro matted into uneven dreads

And four teeth left, all gold, stopped me

I prepared to say I didn’t have any money

Or cigarettes, because I really didn’t

He shook my hand never moving from my eyes

I asked what was wrong and he said,

There’s something special about you

Is that good or bad, I asked

All good my man, it’s almost like you shine

I told him thank you but I don’t feel like I do

Of course it was a ploy to soften me up

It had to be, strangers don’t say stuff like that

He was still looking at me

Mouth open, eyes fixated like he saw a ghost

I started walking away

Wondering if it was true

Positive he’d call me back

Positive he would ask for something —

He never did.

— Jason Hardung

Hardung live in Fort Collins, Colo., and is the author of several collections of poetry including “The Broken and the Damned,” published by Epic Rites Press in 2009. He has read his work at a number of different venues.

I’m going to start by asking for poems about Toledo; tell me a story, good or bad. Send submissions to glasscitymuse1@yahoo.com. Until next time … keep your pencil sharp.

John Dorsey resides in Toledo’s Old West End. His work is widely published and he has been nominated for the Pushcart Prize several times.

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Music

Local music scene reacts to Winehouse death

Written by Brigitta Burks | News Editor | BBurks@toledofreepress.com

Many Toledo musicians expressed the same emotion regarding Amy Winehouse’s July 23 death — a lack of surprise.

The British singer, 27, was found dead in her London apartment on July 23. A cause of death has not yet been determined.

“I wasn’t too surprised,” said Amjad Doumani, owner of B-Bop Records, who found out on Facebook. “But it’s always sad when someone so young dies.”

The petite songstress with the big voice famously sang about her troubles with love, alcohol and drugs on her 2006 album “Back to Black.” The album won five Grammys and featured the hit single “Rehab” about Winehouse’s refusal to seek help. Pat O’Connor, owner of Culture Clash Records and a self-described former addict, said that song stuck out to him because “it’s so anti what I think.”

Aaron Brown, a Toledo-based DJ who also learned about Winehouse’s death on Facebook, said, “I was surprised that many of my friends A. cared, B. were surprised.” He added that although Winehouse had a good voice, “past that she was just a famous junkie.”

Other area musicians also said they noticed the irony of the song’s shocking lyrics.

“Based on her escalating self-destructive behavior, her death came as no surprise. ‘Rehab’ foretold it,” said Doreen Robideaux, lead singer of the Frostbite Band.

“It (‘Rehab’) was kind of funny and maybe a little tongue-in-cheek and a little rebellious,” said Ryan Bunch, performing and literary arts coordinator for the Arts Commission of Greater Toledo. Still, he added of her attitude, “Ironically and ultimately, that’s what killed her.”

Danni Stinson, poet, spoken-word artist and entrepreneur, said the song “Tears Dry on Their Own” inspired her and helped her through bad relationships.

“She was actually one of my favorite artists,” Stinson said. “I was hoping she’d get back on track.”

However, Stinson said when she saw footage of Winehouse’s last public performance in Belgrade, Serbia, she knew the opposite was true.

“I remember thinking to myself, ‘this poor baby’,” said Kim Buehler, singer for 6th Edition and jazz educator, of Winehouse’s onstage slurring. Winehouse canceled the rest of her European tour after being booed off the stage.

Chavar Dontae, a local musician who just signed with Submerge in Detroit, said he learned of Winehouse’s death on Twitter.

“I hope people don’t make her whole legacy the problems she had,” Dontae said. Winehouse’s honesty in her song lyrics inspired Dontae. “I believed what she said and that’s the way I look at songwriting.”

Others also noted Winehouse’s upfront approach to her music.

“Amy was a natural talent, and what I mean by that was that she did not have to contrive a sound or an image. She was who she was,” said Megan Yasu Davis, an area musician.

O’Connor said he doubts Winehouse’s problems will cause anyone to give up drugs.

“Not one drug addict thinks, ‘That’s going to happen to me’,” he said.

Calvin Cordy, guitarist for Prayers for Rain, also said he didn’t think Winehouse’s death would motivate anyone to give up drugs or alcohol.

“It’s just the same as Courtney Love — predictable,” he said.

Still, many like Stinson found Winehouse’s sudden death “heartbreaking” if not surprising. Like Dontae, Stinson said she found inspiration in Winehouse’s lyrics and would write with Winehouse’s music playing.

Buehler, who felt sick after reading about Winehouse’s death, said that although many people wish they possessed talent like Winehouse’s, people with “creative talent are often tortured by it.”

Winehouse among music talents gone too soon

By Jake Coyle

Associated Press Entertainment Writer

NEW YORK (AP) — Amy Winehouse released only two albums in her life, one of which sold more than a million copies, won five Grammys and sparked a retro soul movement that hasn’t yet stopped.

The small output, in inverse relation to her outsized talent, made her death July 23 in London all the more tragic. Fans will only be able to imagine the unrecorded singles, the never-to-be concerts and the comeback album that didn’t come.

It’s a sadly familiar script in pop music, the history of which is checkered with greats and would-be greats snuffed out too early in life.

Almost as soon as news of Winehouse’s death broke and spread across social media, fans were inducting her into the unfortunate pantheon of music talents gone too soon. Many noted that Winehouse, 27, shared the same age at death as Jimi Hendrix, Janis Joplin, Brian Jones, Kurt Cobain and Jim Morrison.

“You would think that Amy Winehouse would clean up her act given that,” Danni Stinson, poet, spoken-word artist and entrepreneur, said.

“Americans talk about Jim Morrison and Janis Joplin in this kind of romantic way,” said Ryan Bunch, performing and literary arts coordinator for the Arts Commission of Greater Toledo. “I would hope that it’s at least a wake-up call for kids that it’s really not that glamorous.”

The British singer-songwriter Billy Bragg, though, realized that a meaningful commonality was being mistaken for coincidence.

“It’s not age that Hendrix, Jones, Joplin, Morrison, Cobain & Amy have in common,’’ wrote Bragg on Twitter. “It’s drug abuse, sadly.’’

Those names were touted on the Web as the 27 Club, a ghoulish glamourizing of rock star death that makes it sound as though even in death VIPs remain behind a seductive velvet rope.

It’s a term, sometimes called the Forever 27 Club, that has spawned a Wikipedia entry, an independent 2008 movie (“The 27 Club”), numerous websites and at least one book (“The 27s: The Greatest Myth of Rock & Roll’’).

The causes of death vary. Jones, the Rolling Stones guitarist, was found dead at the bottom of his swimming pool in 1969 and was ruled dead “by misadventure.’’ Hendrix, having mixed sleeping pills and wine, died in 1970 in a London hotel room. Joplin, also in 1970, died in her Porsche in Los Angeles, with heroin suspected as the culprit. Morrison died of heart failure in 1971 in the bathtub of his Paris apartment. Cobain killed himself in 1994.

Some have claimed Cobain was aware of the so-called 27 Club. After his death, his mother, Wendy O’Connor, was understandably fed up with the concept, saying: “I told him not to join that stupid club.’’

Early death typically mythologizes pop stars, inflating their reputation. Pop culture writer Chuck Klosterman, in his book “Killing Yourself to Live,’’ wondered why “the greatest career move any musician can make is to stop breathing.’’

The posthumous releases from Winehouse will surely follow, and her legacy will grow. But hopefully mythologizing will be resisted.

Winehouse’s death, an unfortunate but unsurprising end to a long, public decline, might be best remembered not just as another tragic loss but as a modern portrait of how untrue those rock myths really are.

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Sound Trek

Local music — at warp speed

Written by Jason Mack | | jmack@toledofreepress.com

The Arts Commission of Greater Toledo (ACGT) is highlighting the local music scene July 22 with Downtown SoundTrek, an event featuring more than 30 bands at 13 venues in Downtown Toledo.

SoundTrek is a new take on the former Toledo Jazz Festival. The cost of admission provides access to all 13 locations and bus rides between venues. The shows are split between the Warehouse District and the Uptown District.

“We were looking for ideas and ways to expand our services to the performing arts community,” said Ryan Bunch, performing and literary arts coordinator at the ACGT. “We wanted to present Toledo’s music scene in a new way. Instead of reinventing the wheel, we took the model we had from the Jazz loop. We made it a tighter bus loop and more multigenre. It’s representative of what’s going on in venues Downtown.”

According to Bunch, the main goal of SoundTrek is to showcase musicians in Toledo. There are only three bands performing from outside the Toledo area.

“These are Toledo musicians in venues that are working to present live music in the community,” Bunch said. “It’s about elevating and highlighting that. It’s getting people to come down and see the wealth of venues, how close they are, how walkable they are and what a diverse range of music there is. It gives the community a chance to get a broad sampling of everything going on in one night.”

Ryan Bunch

One of the artists the community can see is Kyle White as the acoustic rocker kicks things off at PizzaPapalis at 519 Monroe St. White is releasing her second CD “On With the Show” on July 24.

“Toledo is full of extremely talented people,” White said. “The music scene in Toledo would rival any big city. I was in a suburb of Chicago in April, and on a Tuesday night there wasn’t anything going on anywhere. In Toledo, you can go out any night of the week to numerous places and find live music.”

Old State Line guitarist Thomas Barden is excited  about the promotion SoundTrek provides for local venues. His band is opening at the Glass City Cafe.

“It gets more people out in the neighborhood going to things,” Barden said. “Glass City Cafe is great, but it’s hard because people don’t know about it. It’s a great place. The management is wonderful. After Friday night, a lot more people will know about it.”

While Bunch is excited about the music around Toledo today, he’s also proud of the city’s musical past.

“Toledo has a remarkably long and rich history in music,” he said. “It’s the birthplace of Art Tatum and John Hendricks. You have the kind of garage blues renaissance that started here and worked its way up to Detroit. There’s a wide-reaching, broad range of music that’s happened here. It’s always been here. We haven’t quite gotten our dues as the next hip explosion, but it’s really rich. There’s a lot of talent here. I’m constantly astounded by how many people are not just talented at what they do but can work across genres. The music community is really well connected and supportive.”

With such a diverse history, Bunch wanted SoundTrek to represent as many genres as possible.

“If we were going to do this, it needed to be representative of the broad range of styles happening in the area,” he said. “As time goes on and digital music becomes more prevalent, the idea of genres is melting away anyway. If you took a sampling from most peoples’ iPods, there’s a broad range of stuff on there.”

Because of the wide array of musicians and venues in Toledo, the ACGT formed a committee to select the artists and where they would play.

“We were feeling our way through the dark to figure out how it was going to look and work,” Bunch said. “The committee put their heads together and tried to come up with something that is broad in scope. Since we’re working with a lot of established venues that present music, we wanted to make sure they were comfortable with the music they would be presenting. It was a collaboration between the committee and the venue owners to figure out how we could stretch the borders but not go too far with it. It’s been really fun getting to know a handful of venues and working with them. They’ve all really picked up the ball and been excited about it.”

One venue Bunch is particularly excited for is Bozarts Fine Art and Music Gallery.

“[Owner] Jerry Gray put together a killer lineup,” Bunch said. “He was already putting together a show when we contacted him, so it worked out. He has The Staving Chain, which is kind of a traditional Delta blues group. They have Dooley Wilson, who for my money is the best guitar player in the tri-state area. He’s a killer guitar player. Danny Kroha is playing with them, and he’s kind of a Detroit music legend. That should be an awesome lineup.”

The lineup also includes Boom Chick, a rock ‘n’ roll duo from Brooklyn with Moselle Spiller on drums and Frank Hoier on guitar and vocals.

“I’m super excited about the lineup we have,” Gray said. “It’s going to be mostly blues-oriented rock. Boom Chick contacted me online, and the date worked out. It’s their first time in Toledo. They are excellent.”

Bunch said the ACGT plans to use SoundTrek as an annual fundraising event. Proceeds will fund programs such as Artomatic 419!, the art walks and the gallery loops, all of which are presented free to the community. The event also serves as part of an effort to integrate the performing arts into the ACGT.

“The arts commission has always typically been visual arts heavy,” Bunch said. “There used to be a specific performing arts council in Toledo until about 10 years ago. Since then, the slack has not been picked up. It’s been interesting to go through and see what a really broad and diverse array of individuals and organizations there are that are working and haven’t been brought together yet.”

SoundTrek partnered with the first annual Toledo Music Expo, which is July 23 at the Erie Street Market. The event features live performances and provides networking opportunities for artists, venues and vendors.

“That was kind of a serendipitous aspect of the event,” Bunch said. “When we were brainstorming, we thought it would be cool to have a little expo of people who weren’t going to be on this loop. There are so many music related businesses and companies, so we thought we could have people come down and promote their business and show there is a wide network that reaches across the state. It seemed too daunting to take on for the first time. We just wanted to get the bus loop part right.”

“No sooner did we scrap that idea, and put it on the back burner for future years, than we were contacted. They pitched us an idea similar to what we were thinking. It made a lot of sense to cross promote each other’s events and show that over this one weekend there is a broad range of getting a sampling of the music scene. They very generously agreed to donate a portion of their proceeds back to the arts commission. We are incredibly grateful for it.”

The Toledo Music Expo is donating a portion of profits to ACGT and is offering a $5 discount to those who attend SoundTrek.

SoundTrek runs from 7 p.m. to 1 a.m. Wristbands for the event are $15 in advance and $20 on July 22, and admission to individual venues is available for $5. Visit www.ACGT.org for more information.

“If you’re a music fan at all, I think it’s a pretty easy sell,” Bunch said. “If you have any interest in getting to know your city or getting to know like-minded people, it’s all right here. You get to ride around on a bus Downtown and go bar hopping, which is not something you get to do every day.”

Sound Trek Spotlight: Kyle White reaches for the stars

Kyle White put her autobiography to music with her second album “On With the Show,” which she is debuting at a CD release party July 24.

The album is heavily influenced by White’s family. It features a variety of instruments such as violin, trumpet, dobro and mandolin. White’s father Don plays the banjo on three songs.

“He’s been a huge influence on me musically,” she said. “I’ve been surrounded by live music my entire life. My dad’s friends are all musicians. My grandfather [Robert White] is on the wall at the SeaGate Centre for the Lake Erie West Hall of Fame. My dad is an exceptional banjo player and a great bass player, guitar player and singer. It was great to have him on the CD. It’s something I’ll always have.”

The album was also heavily influenced by White’s sister Tamara. White wrote the song “Forever Friend” for her sister when she was sick.

Kyle White

“The album would have been done a lot sooner, but all of 2009 my sister was really sick,” White said. “We didn’t know exactly what was going to happen. I was sad and just wanted to write a tribute to her. She had to have a bone marrow transplant. There’s only a 20 percent chance a sibling will be a match, but luckily I was, so I was her donor. Out of the entire bone marrow floor at the Cleveland Clinic, only her and one other person made it. All of that was going on when I was planning on recording. I was driving to Cleveland every few days.”

Tamara made a full recovery.

“You would never even know anything was wrong with her now,” White said. “They said they’ve never seen anybody’s stem cells graft as fast as mine. I blamed it on all the Guinness I drink because it’s full of iron.”

The title track, “On With the Show,” was written as a not-so-subtle hint to her fiancé before they got engaged.

“We didn’t get engaged until we were together for five years,” White said. “I wrote that about a year and a half ago. It was kind of a message to him. It worked.”

Every song on the album comes from experiences in White’s life.

“I wrote a song about the river and sitting on my boat,” she said. “There’s a song called ‘August in Ohio’ about just hanging out on the front porch. I only write about my personal experiences. I’ve been writing for the past couple of years. I write sporadically. When a song comes to me, I just write it.”

Writing is still a relatively new experience for White. Her first album “Blue Holes in a Gray Sky” was released in 2009.

“I played covers for eight years before I ever wrote a song,” White said. “Singing so many different kinds of music hones you in to what’s going to come out of you.”

White might have never started a career in music if she hadn’t participated in a karaoke contest years ago.

“When I was 19, I worked at Primetime and they had karaoke on Sundays,” White said. “I used to sing ‘Me and Bobby McGee’ and win the contest. The prize was $50 to the bar, so I would get pizza and pop for my friends. When the cover band Tito Slack was starting out, my friend said, ‘My boyfriend has a band. Why don’t you come sing with them in the basement?’ I sang a couple of songs and I was in the band.”

After joining the band, White decided to take up an instrument.

“I didn’t just want to be a singer, so I started teaching myself guitar,” she said. “I played for a couple years before I played guitar at a show.”

White graduated from the University of Toledo with a degree in psychology. If she hadn’t participated in the karaoke contest, she might have been a school psychologist today.

“I was going to go back and get my masters in school psychology,” White said. “I decided to play music for a couple years and see how it goes. It never slowed down. I’m playing more and more. I’m lucky to be able to do something I love for a living.”

Along with her solo career, White also plays in a cover band called Johnny Rocker and the Hitmen. The band’s biggest claim to fame is playing at a John McCain rally.

“It’s a complete 180 from my solo gigs,” White said. “It’s so much fun. We play ’60s, ’70s and ’80s and we do costume changes for each era. Sometimes people don’t even know it’s me because I’m in a big blonde afro and a disco costume. They are really fun to play with.”

She also plays covers in her solo act and is happy to take requests. She learns two or three covers every week and has built a catalog of between 200 and 300 songs.

“I’ve always had the kind of memory where if I took notes in school, I never had to look at them again,” White said. “I just kind of remember things. I have a really good memory, especially for music.”

White has been playing in Toledo for 14 years and plans on sticking around, but she does love to travel. She has been to all but four of the 50 states and has traveled across Europe several times. The last time she went to Europe, she caught a surprise performance.

“We were jamming with these people at a bar in Amsterdam and Sublime showed up,” White said. “We didn’t know it, but they were playing at a place right next door to our hotel. They showed up to this open jam with only about 30 or 40 people and played a half hour set. I was jamming with the house band right before Sublime took the stage, so that was pretty cool.”

White’s CD release party starts at 7 p.m. July 24 at Mulvaney’s Bunker located at 4945 Dorr St. There is no cover, and the show features 17-year-old Claire Cooper as the opening act.

“I like giving younger people experience playing in front of people,” White said. “She’s a natural. It’s crazy. She is never the least bit nervous.”

White is also the opening act at PizzaPapalis on July 22 as part of Downtown SoundTrek. The event features more than 30 bands at 13 venues downtown from 7 p.m. to 1 a.m. Wristbands for SoundTrek are $15 in advance and $20 on July 22, and admission to individual venues is available for $5. Visit www.ACGT.org for more information.

Sound Trek Spotlight: Veteran pilots band to new heights

Mild-mannered college dean by day, guitar hero by night, Thomas Barden plays with Old State Line alongside his wife and a few of their friends.

Barden, dean of the Honors College at the University of Toledo, has performed for more than 40 years after starting in music at 16 in Virginia.

“It was the folk revival,” Barden said. “Everyone was playing. Peter, Paul & Mary and Bob Dylan were big. Their songs were simple. I got an old cheap guitar to start with and had a group in high school. When I got to college, there was an old-time music scene with fiddlers and all those old guys. It was great. I hung out in a coffeehouse instead of a fraternity. It was just the time it was.”

He stuck with the guitar for years, but Barden’s folk background eventually led him to pick up a mandolin.

“I avoided anything but guitar until I was around 50, thinking it might confuse me,” he said. “One of the old guys at a jam in Toledo told me, ‘it doesn’t confuse you, it just helps you get better. The chords are upside down and backwards.’ As soon as he told me that, I got one from Durdel’s Music and just started trying it. He was right. It makes your guitar playing better.”

Old State Line

Barden figured out the mandolin then took up another instrument called a dobro.

“The dobro was a Christmas gift from my wife and kids,” Barden said. “They said, ‘Okay, you’re so smart, figure this one out.’ That one is open tuned with a slide. It is tough. I only do a few tunes with it, only three or four, but it’s such a great country sound.”

After years of watching her husband play, Rayna Zacharias said she decided to learn to play bass guitar.

“She was looking for a way to relax,” Barden said. “She’s been around the band for as long as we’ve been married. She figures it’s easier to be in it than to be a roadie. She’s really good, that’s the thing. We weren’t sure. That was going to be a little tense in the family if she was crappy. We won’t have to have that conversation.”

Zacharias has brought new ideas to the band from her lessons at Durdel’s Music.

“We’re partners in everything else, and being music partners is great, too,” Barden said. “She has such a great teacher now in Jason Gahler. She brings home stuff that’s a real stretch, and I get to practice with her before we take it to the band.”

Old State Line also features Cindy Lipman on fiddle and vocals, Larry Meyer on drums and Ramsey Abu-Absi on guitar, mandolin and vocals.

“I’m married to the bass player and I’ve been playing with the fiddler for decades,” Barden said. “Everybody knew everybody anyhow. It was just an occasion for this jam to go public. Me, Cindy and my wife just did jams on Sunday afternoons. We talked to Larry about trying to drum, then Ramsey came in. He’s an incredible guitar player and a really good mandolin player, too. We just would do afternoon jams in our house, and it got so good we had to take it out.”

Before forming Old State Line, Barden and Lipman played together in other groups, such as Midnight on the Water and Ten Mile Creek.

“She started playing because she found her grandfather’s fiddle,” Barden said. “I was a guitar player so I backed her up while she got started with it. We’ve been in band after band for 20 years. Ten Mile Creek was more blue-grassy than we are now, because there was no drummer. What’s nice about Old State Line is we have Larry Meyer who is a drummer. It takes us into more of a rockabilly and Johnny Cash area than we were with Ten Mile Creek. It’s really fun.”

Old State Line is without Lipman for the summer while she vacations in Maine, so Abu-Absi’s co-worker Ted Whalen is sitting in with the band.

“He’s a really good fiddler, but he also plays the harmonica,” Barden said. “We’ll probably move more into the Bob Dylan direction since we have a harmonica player. We added more Dylan to the set list because we can hear Ted play that harmonica. It’s such a Bob sound.”

The band plays mostly old fiddle tunes and folk songs, and Barden described their sound as Americana.

“Our style can be really wide-ranging,” Barden said. “Kansas City is a style my wife’s bass instructor taught her. She came home playing the licks to ‘Sunshine of Your Love,’ so we threw that in, too. Right now it’s anything we can do that sounds decent.”

Old State Line is the opening act at Glass City Café or July 22 as part of Downtown SoundTrek. The event features more than 30 bands at 13 venues Downtown from 7 p.m. to 1 a.m. Wristbands for SoundTrek are $15 in advance and $20 on July 22, and admission to individual venues is available for $5. Visit www.ACGT.org for more information.

July 22 Sound Trek schedule:

UPTOWN ENTERTAINMENT DISTRICT

1. Bretz Bar 2012 Adams St.

(419) 243-1900 www.myspace.com/bretzthebar

DJs and Drag Show featuring:

11 p.m.: Charlie Slick (electro-pop/dance from Ann Arbor)

12 a.m.: Feleciana Thuderpussy (drag show)

All night: DJ Rob Sample (DJ/dance)

2. Ottawa Tavern 1817 Adams St.

(419) 725-5483 www.otavern.com

7 p.m.: Balloon Messenger (indie)

8 p.m.: Microdot (shoegaze)

9 p.m.: Great Uncle (rock/pop)

10 p.m.: Great Lakes Crew (hip-hop)

11 p.m.: GoLab (electro-pop/rock)

12 a.m.: Matt Truman Ego Trip (glam rock)

1 a.m.: Frank & Jesse (rock n’ roll)

3. Truth Art Gallery 1811 Adams St.

(419) 460-1343 www.thetruthtoledo.com/gallery

8 – 11 p.m.: 4 Deep (jazz/blues/soul)

4. The Attic on Adams 1701 Adams St.

(419) 243-5350 www.theatticonadams.com

7:30 p.m. & 9:30 p.m.: Leyla & Raq the Casbah

10 p.m. – 12:30 a.m.: Big Blues Bob (Chicago-style blues)

Plus live magic and more!

5. Manhattan’s 1516 Adams St.

(419) 243-6675 www.manhattanstoledo.com

7:30 p.m. – 9:30 p.m. :DFR (funk/R&B)

10 p.m. – 1 a.m.: Tom Turner & Slow Burn (blues/rock)

6. Toledo School for the Arts 333 14th St.

(419) 246-8732 www.ts4arts.com

Enter on 15th St., across from Manhattan’s

7 – 9 p.m.: Glass City Steel (steel drum ensemble)

9 – 11 p.m.: Benny and the Bricks (rock)

11 p.m. – 1 a.m.: The Groove Associates (groovy)

7. Wesley’s Bar 1201 Adams St.

(419) 255-3333 www.wesleysbar.com

7:30 p.m.: Lance Hulsey (of Kentucky Chrome) (rockabilly)

8:30 – 10 p.m. – Mighthaveben (The Band) (jazz/folk/funk)

10:30 p.m. – 2:30 a.m.: Old School Fridays featuring DJs Todd Perrine, N.Matimoe and Folk (DJs/old school funk, soul, & hip-hop)

8. Toledo City Paper Offices 1120 Adams St.

(419) 244-9859 www.toledocitypaper.com

7 p.m.: Raine Wilder (hip-hop)

7:55 p.m.: Ben Barefoot and the Handshakes (indie rock)

8:50 p.m.: Decent Folk (folk/indie)

9:45 p.m.: Stonehouse (jam rock)

10:40 p.m.: Shit Dang Monstertrucks! (alt-country)

11:30 p.m.: Thirty Three & 1/3 (blues/indie rock)

12:20 a.m.: Gold (funk/rock)

9. Glass City Café 1107 Jackson St.

(419) 241-4519 www.glasscitycafe.com

7:30 – 10 p.m.: Old State Line (Americana)

10 p.m. – 12 a.m. Black Swamp String Band (bluegrass)

STADIUM/ARENA DISTRICT

10. The Blarney Bullpen/Toledo Free Press Star 601 Monroe St.

(419) 418-2339 www.theblarneyirishpub.com

Enter on Huron Street.

7:30 p.m. – 12 a.m.: Hepcat Revival  (swing/jazz)

11. Table Forty4 610 Monroe St.

(419) 725-0044 www.tableforty4.com

7 – 9:30 p.m.: Bobby May & John Barile (rock/blues)

10 p.m. – 1 a.m.: The Chris Shutters Band (rock/blues)

12. PizzaPapalis 519 Monroe St.

(419) 244-7722 www.pizzapapalis.com

7:15 p.m.: Kyle White (acoustic/folk)

8:15 p.m.: The Faux Paus (indie rock)

9:45 p.m.: Chavar Dontae (electronic/soul/rock)

11:30 p.m.: The Quickness (rock/blues/jazz)

13. Bozarts Fine Art & Music Gallery

151 N. St. Clair St. (419) 464-5785

7:30 p.m.: The ‘Leles (ukulele/folk)

8:30 p.m.: Thirty Three & 1/3 (blues rock/indie)

9:30 p.m.: Danny Kroha (formerly of The Gories) (acoustic blues from Detroit)

10:30 p.m.: The Staving Chain (featuring

Dooley Wilson) (traditional Delta-style slide blues)

12 a.m. – Boom Chick (blues-surf-rock from Brooklyn)

Partner Event: The First Toledo Music Expo!

The following day, Saturday, July 23, J&L Entertainment Services will host Toledo’s first Toledo Music Expo. A portion of proceeds from the event will benefit the Arts Commission of Greater Toledo. Save $5 at the door with your SoundTrek wristband. The First Toledo Music Expo will take place at the Erie Street Market in Downtown Toledo. This event is for local musicians, singers, songwriters, engineers, recording studios, videographers, and more. For more information visit them on the web at ToledoMusicExpo.com.

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Retail

Art supply store to open Downtown

Written by Sarah Ottney | Managing Editor | sottney@toledofreepress.com

What was just a dream two years ago will become reality this week as two native Toledoans open an art supply store Downtown.

The Art Supply Depo, at 29 S. St. Clair St., will be open 6 to 9 p.m. July 21, during the Arts Commission of Greater Toledo’s July Art Walk. Its first official day of business will be July 22.

Hours will be 10 a.m. to 6 p.m. Tuesday, Wednesday and Friday, 10 a.m. to 8 p.m. Thursday, 10 a.m. to 3 p.m. Saturday and closed Sunday and Monday.

Proprietors Jules Webster and Dana Syrek said the shop will fill a niche by specializing in difficult-to-find supplies local artists need.

Dana Syrek and Jules Webster.

“We knew the area needed an art supply store,” said Webster, owner of Shine Ceramics and a graduate of the University of Toledo’s art department. “There’s a real void.”

Webster, a Toledo Free Press Star columnist, said UT once had an art supply store, but it closed. Downtown business Scrap 4 Art deals in scrap art material. Sylvania has For the Love of Art, but there was nothing Downtown, Syrek said.

The business model was inspired by an art supply store Syrek frequented while a student at Miami University in Oxford. That owner caters mainly to Miami’s small art department, working with professors to align what the store carries to what students need for classes.

“A lot of art stores can be overwhelming because there’s just so much stuff,” Syrek said. “This wasn’t overwhelming. It had exactly what I needed.”

The pair is working closely with UT’s art department and has reached out to other local schools as well.

The Art Supply Depo will carry typical items like paint, pastels and colored pencils, but will focus mainly on securing hard-to-find items, including large format paper for printmaking and drawing, rolls of canvas and encaustic, a type of paint made of color pigment and wax.

“There’s nowhere else to get that in town, so we’re really trying to fill some specialty needs for materials,” Syrek said.

The shop will also offer discounted bundle packages containing all the supplies needed for an art class. It will also carry copy paper and basic office supplies, Webster said.

Webster and Syrek, who met through a mutual friend, first looked into buying a franchise but didn’t find one, so they decided to come up with their own concept.

“It was literally one of those things that came to me in the middle of the night,” Syrek said.

Plenty of market research helped focus and refine the model based on what local artists were looking for, Syrek said.

“The model really cares about what people are looking for and that’s the core of how we’re building the business,” Syrek said.

A gallery space will sell work by local artists and patrons will be able to use Wi-Fi, browse art books, read, study and exchange ideas in a lounge area, Webster said.

“We just want it to be a place that sparks creativity and just inspires a new mode of thinking,” Webster said.

Future plans include displaying local artwork and becoming a stop on the Art Walks as well as offering in-store workshops, Webster said.

The store’s logo and website were designed by local artist Jemma Hostetler of Studio Sans Nom.

The Downtown location provides proximity to the UT art department, the Toledo Museum of Art and Toledo School for the Arts, Syrek said. It’s also convenient for the core group of artists who live, work and have studios Downtown.

“A lot of the smaller retail businesses are moving back Downtown,” Syrek said. “We felt like St. Clair Street was really the right neighborhood for us to do well.”

Their idea is testament to the possibilities of small business in Toledo, Syrek said.

“We wouldn’t be able to do this probably anywhere else the way we’re doing it here,” Syrek said. “We really believe in Toledo, we believe in Downtown. Small business is possible here and people should embark on their ventures if they choose to. It’s going to be an exciting week. It’s been a long time coming.”

For more information, visit the website www.artsupplydepo.com.

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Lighting the Fuse

Motion in poetry

Written by Michael Miller | Editor in Chief | mmiller@toledofreepress.com

A bonfire of Hallmark greeting cards, bellowing sickeningly sweet drifts of smoke. Cleveland Indians mascot Chief Wahoo lying in drifts of snow, staring at the great wide sky for the last time. Silent stares of contempt and derision aimed at an unhoused man as he walks the Toledo streets.

These and scores of other images were part of a June 16 poetry reading that featured more poets than audience members.

Toledo Free Press sponsored a stop on the June 16 Art Walk, a signature event of the Arts Commission of Greater Toledo. We opened our warehouse on Huron Street, set up chairs and a makeshift podium and invited a group of local poets to read their works. Michael Grover led an outstanding line-up of poets — Arnold Koester, Jonie McIntire, Greg Peters and Bob Phillips.

With the cluster of activity on St. Clair and Adams streets, there was a dearth of passersby on Huron Street to look in and see the reading, but each of the poets gave it his or her best, reading original material that inspired laughter and reflection to the few people who joined us.

There is a thriving poetry scene in Toledo, but it seems like a backburner element compared to music and gallery arts. Most of my exposure to the scene comes from the published works of longtime Toledo Free Press arts writer John Dorsey, who is producing a body of work that is growing in size and national acclaim.

It’s a tougher challenge at home in Toledo.

Phillips told Toledo Free Press Staff Writer Patrick Timmis, “Poetry’s like the poor uncle of the arts.”

Grover is keenly aware of how some people view his art. He said many people stereotype poetry as bad and boring — epithets he thinks many poets deserve. He said he wants to make poetry fun again, although many of his pieces are dark and questioning.

Grover read a number of his “American Outlaw” poems, making each piece a compelling performance.

Peters read an epic poem about being unhoused in Toledo. After working nearly 30 years for Chrysler, he is waiting for news on his pension while he gets by the best he can. Peters told Timmis he has written 800 poems in the past three years. Reading live, the words tumble out of him in a cascade of alternating anger and amusement.

“Poetry is to make a point and make a difference for someone’s life,” he said.

Phillips, with his shock of Einstein-like white hair, read poetry about his backyard observations and baseball memories. His work is specific and intimate yet universal in its wise evocation of the larger gears at work in life.

Phillips told Timmis he started writing poetry as a child. He grew up in Toledo.

“Most everything I learned was at the public library — the poor people’s university,” Phillips said.

His first poems were humorous, but puberty made his poems angsty and depressing, he said with a smile. When he discovered the Beats at age 11, he felt liberated by their style.

“You always thought a poem had to rhyme and be about flowers or autumn or something like that,” he said.

Poetry has always resided just outside my grasp, not as impactful as music but just as mysterious in its creative process. Words are fluid, live building blocks, but the way a poet shapes them isn’t the way I push them around or the way a songwriter manipulates them. And while many people believe they can be writers (I work just a few blocks from some of the region’s most high-profile failures), truly inspiring works of poetry and songwriting (the two are not the same thing, although some lyrics read like poetry) are intimidating.

In an effort to promote this special art, Toledo Free Press is co-sponsoring the Aug. 6 “Zygote in My Fez Poetry Festival,” from 4 to 10 p.m. at the Collingwood Arts Center. Red Fez and Zygote in my Coffee are the primary forces behind the event, which will feature nearly two dozen poets reading their works. We are also looking to find a more high-profile location for our remaining ACGT Art Walk poetry readings, July 21, Aug. 18 and Sept. 15.

Let’s take the poor uncle and show him a few special nights on the town.

Michael S. Miller is editor in chief of Toledo Free Press and Toledo Free Press Star. Contact him at mmiller@toledofreepress.com.

Since you asked, my single published poem, “Newsstand Love,” was published in a modest college anthology alongside real poems from real poets:

“Newsstand Love”

She has a Playboy body,

Penthouse eyes,

And a Cosmo mouth.

Her man had a World News sex drive,

But a National Enquirer mind,

And People depth.

She left him for a man with a GQ wardrobe,

An Esquire lifestyle

And a Wall Street Journal career.

But in her bed: Reader’s Digest.

She left him for a man with Sports Illustrated energy,

Rolling Stone hipness

And Vanity Fair ambitions.

But in her bed: National Lampoon.

Now she’s renewed her subscription with her first man.

If looking at the pictures keeps you satisfied,

Skip the fine print.

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