Archive for August, 2011

Former Rocket to start game for Cowboys

Wednesday, August 31st, 2011

Kevin Kowalski

Former Toledo center Kevin Kowalski told the Toledo Free Press on Aug. 31 that he will start for his second-consecutive preseason game for the Dallas Cowboys on Thursday in Miami.

Kowalski was signed as an undrafted free agent on July 26 after waiting for the 130-day NFL lockout to end. He started on Aug. 28 against Minnesota after five-time Pro-Bowl center Andre Gurode was released. Phil Costa, a second-year player who was signed as an undrafted free agent out of Maryland in 2010, is expected to be the starter but is rehabbing from a knee injury.

Rockets break school record for season tickets

Wednesday, August 31st, 2011

UT head coach Tim Beckman

University of Toledo Deputy Athletic Director Mike Karabin announced today that the UT football program has broken the school record for season ticket sales.

As of Aug. 29, Toledo has sold approximately 11,050 season tickets, breaking the record set last season of 11,005.

Season tickets were bolstered by the “Ultimate Fan Plan” packages, which accounted for 4,500 packages (500 still remaining). The Ultimate Fan Plan is $59 for a ticket to every home game and includes $24 in concession vouchers, $30 towards a general admission season parking pass and a $20 Rocket Shop gift card.

“We expect to keep selling season tickets right up until our second game against Boise State on Sept. 16,” said Karabin. “Our final season ticket number could end up being substantially higher than 11,000.”

Toledo opens the season at the Glass Bowl on Sept. 1 against New Hampshire at 7 p.m. The Rockets will host No. 5 Boise State on Sept. 16 at 8 p.m. in a nationally-televised game on ESPN or ESPN 2.

Is the new DC the ‘New Coke’ of comics?

Wednesday, August 31st, 2011

A venerable company that founded an entire industry feels the pain of rapidly shrinking revenues and an ever-growing rival firm. The company decides to reconfigure its aging product and reintroduce it to the world, despite the concerns of a vocal minority of its core consumer base. The new product is given a wide promotion and a splashy introduction and the company’s leaders tell its fans the evolution of the brand is necessary and that nothing should be considered so sacred as to be allowed to stagnate.
The above story is the story of New Coke — but it is also the story, so far, of the new DC Comics. The similarities in the reasons behind the respective changes are amazing, but it remains to be seen whether DC’s new output — a company-wide relaunch of all titles — will follow the same route as Coke’s wholesale embarrassment in the 1980s. New Coke sits alongside the Edsel in the Hubris Hall of Fame; comics fans can hope that DC’s alterations will be remembered as an industry milestone and not just another watershed.
New Coke was replaced by its classic counterpart within three months of its introduction, the relapse reportedly prompted by an overwhelming backlash against the new formula. Diehard fans of “Coke Classic” shouted their displeasure and the company adjusted accordingly. Some said New Coke should have been simply another taste in Coke’s product line, but its powers-that-were demanded that the tried-and-true formula of a hundred years just wasn’t good enough anymore. Fans of DC have also wondered why a separate new line couldn’t complement their classic books and looks, much as rival Marvel publishes a parallel “Ultimate” universe of titles. For whatever reason, DC drank the New Coke instead and dreamt of starting afresh; in with the new and out with the old.
Today, in comic shops everywhere, “Justice League” No. 1 hits the racks, a surefire hit of epic proportions for an industry that’s seen much better days. DC’s sales should spike dramatically and for months to come — but whether ABC News will interrupt “General Hospital” to announce the return of “Classic DC” is any fan’s guess.

McGinnis: Laughing Lisa Landry to appear at Fat Fish Blue

Wednesday, August 31st, 2011

When Louisiana native Lisa Landry took her first steps in front of an audience, it wasn’t as the confident and hilarious comedian she is nowadays. She began her road in entertainment hoping to be an actress. She first came to New York City over a decade and a half ago to train — and it was there that the stand-up bug first bit her.

“I realized I like comedy better, because you get to speak your mind, you get to travel, you get to experience these things all the time, you don’t have to be under the constraints of an ensemble — which is oftentimes fantastic,” Landry said in an interview with Toledo Free Press Star. “There’s something freeing about comedy.”

So Landry began to hone and refine her act, which has led to extensive touring around the country, including several stops in the Toledo area — the latest of which will begin Thursday, September 1 at Fat Fish Blue in Perrysburg. “I love hearing people laugh. It makes me feel like I’m doing something good, if that makes any sense,” she said.

Landry

“I have a lot of love for my audience, you know? I’m glad they came, I want them to have fun. If an audience member is not laughing and clapping, and banging their fist on the table, I feel like I’m not doing my job.”

Landry’s performance style has been cultivated over fifteen years of work, fine-tuning her onstage persona through regular touring. She describes her approach as conversational, though not self-indulgently so.

“I talk about things I think people can relate to. So it’s not as if I’m trying to effect a certain response based on trying to be too experimental,” Landry said. “I’ve got this way of writing that’s extremely honest about what I’m going through, or who I’m dealing with, or reactions to what’s happening.”

So, does she use her humor as a form of counseling, venting her life’s frustrations onstage? Landry seemed to wrinkle her nose at the idea. “I try to stay away from [comedy] as a therapeutical experience, only because I’ve seen in the past other people go up and use the stage as a therapy session, and I think it’s really unfair to the audience,” she said.

“Some people take it too far. They just have this…I don’t want to say lack of respect for the audience, but I guess that’s basically what it is, huh? It’s a self-importance where it’s about more what they want to talk about. I think comedy should try to do both. I think it should be entertaining, kinda thought-provoking, relatable. That’s my own take on it.”

Her point-of-view has led to Landry’s unique rapport with her audience, further developed through appearances on talk shows such as “The Late, Late Show with Craig Ferguson” and “The Bonnie Hunt Show.” She noted how different and how confining performing on such shows can be.

“They approve your set, you have a very strict time limit, you can’t go over, you can’t go under. There’s so much more control when you’re doing something for television,” she said.

She noted, though, that an excitable and engaging television audience is more reliable for great reactions, whereas a traditional club audience can be harder to win over.

“When you’re doing live comedy, there’s cocktails being dropped, and there’s checks going down, and there’s usually an MC — it’s such a different vibe, there’s nothing like it. And every audience is totally different. There’s always gonna be stuff you’re always gonna do in your act, but there’s always gonna be someone new in the audience,” Landry said.

So how does a comedian learn to deal with such factors, night after night? “You gotta get up and do it yourself, man. There’s always people who are gonna give you, like, a word of encouragement here, or like, you know, ‘You really suck,’ a word of discouragement if you’re doing something wrong. But for the most part, you just gotta get up and keep figuring it out for yourself.”

Landry has also had to figure out how to balance family with her comedic career, as she is also the mother of a young son. “I’m very lucky. Because I may not see my kid for, like, a week, but then I see him for, like five days straight. I probably get to spend a lot more time with him than mothers who have traditional jobs,” she stated.

“It was hard at first, it was really hard at first. But now it’s getting better. I’m actually spending more time with him, because now he’s getting older, and now he kinda needs me more.”

As for the future, Landry noted that her goals as a performer are straightforward. “I think sitcom, that’s always every comedian’s goal — or maybe every other comedian’s at this point, because sitcoms have such a difficult time these days. I just always want to be happy with what I’m doing. That’s always my ultimate goal, just to be happy with what I’m doing.”

Back 9: Freddie Picks Tiger for Presidents Cup team

Tuesday, August 30th, 2011

The New York Post reported Aug. 26 that Presidents Cup Captain Fred Couples announced Tiger Woods will be one of his allotted picks for the team that will compete November 17-20 at Royal Melbourne in Melbourne, Australia.

“I’ve told him that he’s going to be on the team,” Couples said just before a practice round preparing for the Boeing Classic at TPC Snoqualmie Ridge.”There is no reason for me to wait till Sept. 26 to pick Tiger. He’s the best player in the world.”

That leaves Captain Couples with only one pick remaining to fill the 12-man team. A very deserving player is going to get denied a spot on the team.

Presidents Cup Points List

Rank   Player                   Points
    1  Steve Stricker           13,783,403
    2  Matt Kuchar             12,543,827
    3  Phil Mickelson           11,920,047
    4  Nick Watney             11,831,320
    5  Dustin Johnson           10,481,897
    6  Bubba Watson              9,763,499
    7  David Toms               8,918,935
    8  Webb Simpson              8,796,373
    9  Hunter Mahan              8,624,612
   10  Bill Haas                8,424,777
   11  Jim Furyk                8,372,794
   12  Rickie Fowler             7,479,081
   13  Bo Van Pelt              7,262,583
   14  Brandt Snedeker           7,138,263
   15  Zach Johnson              7,079,980
   16  Jason Dufner              7,055,408
   17  Ryan Moore               6,899,113
   18  Keegan Bradley            6,864,399
   19  Mark Wilson              6,842,904
   20  Jonathan Byrd             6,640,688
   21  Ryan Palmer             6,500,754
   22  Jeff Overton              5,921,385
   23  Charles Howell III       5,857,117
   24  Steve Marino              5,779,352
   25  Gary Woodland             5,776,513

The top 10 on this list are automatically eligible. As you can plainly see, Tiger is nowhere to be found in the top 25. Who will receive Freddie’s one remaining pick? Rickie Fowler was a solid performer in the 2010 Ryder Cup. Jim Furyk and Zach Johnson are seasoned veterans with past Ryder Cup and Presidents Cup experience. Where does reigning PGA Champion, and the best young player on tour, Keegan Bradley fit in?

Since Tiger’s ugly incident with Elin’s back swing and the infamous fire hydrant in November of 2009, personal problems and injury have prevented Tiger from practicing and playing his best golf. He has fallen in the Official World Golf Rankings, refuses to play in lesser tour events and has embarrassed himself in tournaments that he has chosen to play. I’m not sure why Tiger would even want to put himself in front of all the cameras and scrutiny at a huge International event such as the Presidents Cup.

I’m sure that the PGA, The Presidents Cup Committee, and the TV network airing the matches will benefit with him on site. People will watch just to see the wreckage. Can you say NASCAR?

Tiger was No. 1 in the world for almost 13 years, and once he gets his head reattached to his body he will be a formidable player again. Right now, he is not. Other golfers deserve that spot.

Tiger needs to play in at least two PGA Tour Fall Series events and get his tournament legs and mindset back. He looked completely lost in the PGA Championship. He needs to be prepared when 2012 rolls around to make a strong run on Nicklaus’ 18 Majors Record over the next 10 years.

“Is he playing well right now? No. [But] he almost won [The Masters] four months ago,” Couples said. “When you’re the best player in the world for 12 straight years and you’re not on a team, there’s something wrong.”

You are right, Freddie, there is something wrong. Tiger is not Tiger right now. He has not earned a spot on this team and I’m not sure even with his past accomplishments that he should get a free pass now.

Do it the “old fashioned way” Tiger, “EARN IT”.
Read more: http://www.nypost.com/p/sports/golf/couples_to_tiger_you_re_on_team_jN9n61PS2b1SYuFZfOp0BO#ixzz1W9Mtpvrx

Former Toledoan plays Agent P in ‘Phineas and Ferb Live!’

Tuesday, August 30th, 2011

Tiffany Westfall left home four years ago as a college student studying physical therapy. On Sept. 3, she’ll return as a secret agent platypus when “Phineas and Ferb Live!” plays at the SeaGate Centre.
“My family and I have been counting down the days for more than a month,” Westfall said. “Even though I’m only home for about 12 hours, it’s exciting to get to see my family. We’re going to be in Fort Wayne next month, and I’ll get to come home for a couple days before we’re back out on the road again.”
Westfall plays Agent P, also known as Perry the Platypus, who leads a double life as Phineas and Ferb’s pet and as a secret agent. Perry frequently battles with mad scientist Dr. Heinz Doofenshmirtz.

Westfall

“Agent P is an action hero who performs acrobatic stunts throughout the show to foil Dr. Doofenshmirtz’ plans,” she said. “He scales buildings and picks on ninjas. It’s really exciting.”
The show includes many flips and other stunts as well as 14 songs from the show and one new song.
“They have high-energy shows,” Westfall said. “It helps keep my high energy focused somewhere. I get to use the talent I learned in school with gymnastics in the shows. It’s exciting to be able to use those talents after high school.”
Westfall is used to the stunts after studying at the Northwest Ohio Gymnastics Academy in Napoleon. She also coached there and continues to coach gymnastics during breaks from performing.
After attending Liberty Center High School, Westfall studied physical therapy at Owens Community College before heading to Orlando.
“I was looking for college scholarships after I graduated high school and saw Disney had a program called the college program where you got scholarships for working at Disney,” she said. “I applied for that, but it was too late to get involved for that semester. My dad suggested going down and seeing if I could work there anyway. I hopped on a plane, went down and got hired.”
Westfall often follows her dad’s advice and said she views her parents as role models.
“Both of my parents have really strong work ethic,” she said. “Because they both work really hard, I have learned that putting dedication into your work will get you places. Having good work ethic rewards you.”
After working at Disney for a few months, Westfall was rewarded with an audition with Feld Entertainment for Disney Live. After four months with no response, she returned home to go back to college before getting hired in 2008.
“I’ve loved every minute,” she said. “When I first started, I was one of those people that said I’d just do one contract. Here I am signing my fourth contract. I think I’m going to stop saying that. I’ll just wait and see where life takes me.”
Westfall has performed in “Mickey’s Magic Show,” “Playhouse Disney Live!” and “Disney Live! Winnie the Pooh” since joining Feld
Entertainment.
“I feel really blessed to have a job I love where I get to play dress-up and make people happy every day,” she said.
Another role model in Westfall’s life is Sallie Rego, her performance director from “Winnie the Pooh Live!”
“She is one of the most amazing people I have ever met,” Westfall said. “She also has amazing work ethic, and her happiness is contagious. Having a little bubble of happiness running around the building as your boss is really inspirational.”
Since Westfall started working for Disney, her family has taken a special interest in Disney shows, particularly “Phineas and Ferb.” She is trying to convert her nephew into a fan, but he is too young to truly appreciate the show, she said.
“After I started working at Disney, my family started paying attention to the Disney Channel a little bit more,” she said. “My younger sister is 16, but I have a nephew who is 5 months old, so we’re trying to get him started young. It’s a good show for the whole family.”
Westfall said the most difficult part of touring nationally and internationally is being away from her family. However, she enjoys the experience and loves to go sightseeing when there is time.

Perry the Platypus

“It’s exciting getting to travel around the country and the world,” she said. “You go to sleep on the bus, and you wake up the next day in a different city. Sometimes you don’t even know what state you’re in. You have to check the license plates nearby to see where you’re at. I’ve been to plenty of countries thanks to Feld Entertainment. You get to know your coworkers really well. They are sort of a family away from home. I have friends and adopted family from all over the world now.”
This sense of family has caused Westfall to delay her dream of performing in Cirque du Soleil.
“I really have put the Cirque du Soleil dream on hold, because this job is exciting for me,” she said. “I really like what I’m doing. If something comes along in the future I’d love it, but for now, this is really making me happy.”
While she is happy to be performing, Westfall plans to eventually continue her education and become a physical therapist.
“When my body decides it is done performing, that is something I would like to do,” she said.
Another native Toledoan, Alyson Stoner, lends her voice to the recurring character Isabella on “Phineas and Ferb.” Stoner told Toledo Free Press in December that working in an animated role, she gets to surrender all her inhibitions and act wacky, often jumping around the studio.
“It’s so neat to tell a story through your voice. On camera many actors try to tell a story without speaking. [For ‘Phineas and Ferb’] there’s only a microphone to capture what you share,” she said.
Stoner said she enjoys watching the shows after they’re completed to see how all the components came together.
“I’m one small minuscule detail of the show. I love to see the animators work. They make magic with their hands each and every day,” she said.
“Phineas and Ferb Live!” plays shows Sept. 3 at 4 p.m. and 7 p.m. at the SeaGate Centre located at 401 Jefferson Ave. Ticket prices range from $14 to $45.

McGinnis: WWE star Barrett to appear at ‘SmackDown’

Tuesday, August 30th, 2011

When WWE brings its trademark show “SmackDown” to the Huntington Center on September 6, it’ll be another step in the journey of Wade Barrett — a trip that began with childhood.

“I’ve been watching WWE since the age of about nine years old,” Barrett said in an interview with Toledo Free Press Star. “I was a huge fan. I remember I was a huge fan of the British Bulldog, Davey Boy Smith. He was my hero when I was a kid.”

The native of Preston, England remained a fan of wrestling into adulthood, but it wasn’t until his early 20′s when he really started to think seriously about making his lifelong obsession into a career.

Barrett

“I was reading Mick Foley’s very first book, his autobiography,” Barrett said. “It was something that as I was reading it, I came to realize that the superstars and wrestlers that I’ve been watching all my life and been a fan of, that book — reading that book made them into real-life people. Until that point, I think I’d always considered them all like comic book stars.

“Something about reading his book, reading about his life, health, stuff like that, I really identified with it. And I thought, well, if he can do that, coming from the background he came from, then there’s no reason I can’t.”

Training under a wrestler named John Richie, Barrett began working for a variety of companies in both England and Ireland — some of the groups were so small, 50 people in attendance was considered a good number. But he slowly began to work his way up the ladder, performing in bigger and bigger promotions in front of larger crowds.

“Every opportunity I got, I tried to step into a company where the people were more experienced, or the crowds were bigger, where I could get more experience and more work, that sort of thing, and try and develop as much as I could on the independents, which certainly wasn’t easy,” Barrett said.

Barrett’s eyes were always trained on the ultimate prize, though. He began sending letters and photos to WWE’s talent relations department. Soon after, the company requested that he come to one of the shows during a WWE tour of the UK.

“They had us get in the ring while the arena was empty and had us wrestle some matches against each other — watched our moves, watched our abilities, I think they had us cut some short promos on the microphone, stuff like that.”

Barrett was one of several (including current WWE stars Sheamus and Drew McIntyre) who were offered contracts later that day. He soon relocated to America, training in WWE’s developmental system under the guidance of famous grapplers like Al Snow, Tom Pritchard and the legendary Dusty Rhodes.

“I think when I left the UK, I was mechanically fairly good, in terms of my work in the ring, the kind of moves I performed, that sort of stuff. My problem, I always thought, was psychology — my understanding of when to do what moves and that sort of thing. And my time with developmental certainly helped me a lot with that,” Barrett said.

After several years in the developmental system, Barrett was introduced to WWE fans in mid-2010 through their experimental show NXT, designed to showcase “rookies” to the audience. Part of the show’s structure had him paired with WWE star Chris Jericho as a mentor — an arrangement, Barrett claimed, that was closer to reality than most fans probably thought.

“I was able to watch very closely and learned a lot from him — and that, probably above any other experience in my career is where I’ve learned the most, just from standing and observing Chris in close quarters.”

Barrett’s arrival on the WWE scene has been fairly explosive, with several main events and major storylines already under his belt. But, he insisted, the brighter the spotlight, the less pressure he felt — even when working at the biggest show of them all, WrestleMania, last April.

“I always felt that the bigger the crowd, the easier it is in the ring. That’s the way I’ve always seen it, not everyone agrees with that,” Barrett said. “So when I step out in front of 70,000 people — every single person in the audience almost becomes completely anonymous. It’s just like a sea of people rather than a group of individuals. So I’ve always found it very easy to perform in front of large crowds. The larger, the better, as far as I’m concerned on that front.”

That last comment certainly applies to the Toledo crowd for “SmackDown” on Sept. 6. “There’s a lot of fans in that part of the world, it always has been a very popular traditional wrestling area. So we’ll come along and provide a great show for you. You’re gonna see all the top stars there — and you’re gonna see myself, I’m the biggest star of them all,” Barrett said with a smile in his voice.

Donny Osmond brings multimedia show to Cleveland

Tuesday, August 30th, 2011

The Bieber-fever zeitgeist looks very familiar to singer-actor-entertainer Donny Osmond, who exactly 40 years ago was the pinup pop star of the ’70s.

Osmond

“It’s amazing when you put our two pictures together when we were both 14 years old and it’s like we’re brothers,” Osmond said, calling from his Utah home. “He even stole my color purple and my haircut. It’s like, ‘Come on buddy, get original.’”
Getting original with what he believes is a first-of-its-kind show is exactly what Osmond is doing with the inaugural run of his “Donny’s Basically Yours Tour,” which comes to Cleveland on Sept. 2 at the House of Blues. The multimedia stage show is a living, breathing “Behind the Music”-style event documenting the 53-year-old’s entire career through music and video.
Conceived years ago, it was only recently that Osmond decided the technology existed to bring the concept to fruition. If it’s a success, the singer said he hopes to tour it in theaters.
“This is a show I never did before,” Osmond said. “It’s not totally improv, there’s a structure to it, but there will be Q-and-A in the show and whatever they want to hear, I’ll do. In fact, I have hundreds of songs ready to go. It all depends on what the audience wants. Obviously they’re going to call out ‘Puppy Love’ and ‘One Bad Apple’ and things like that. Then like for ‘Bad Apple,’ I’ll show the cartoons that we used to have.
“For instance, if someone asks about the ‘Weird Al’ Yankovic video I did, ‘White & Nerdy,’ boom, it’s on the screen behind me almost instantaneously. Or if somebody mentions ‘The Donny & Marie Show’ when Lucille Ball was a guest, boom, there it is on the screen. I have this braniac guy with me who is so fast on the keyboard. Whatever they want to hear or see, it’s right there.”
In looking back at his four-decade long career, Osmond has enjoyed the rollercoaster of fame. His numerous comebacks (1989 hit song “Soldier of Love,” early ’90s lead in the stage production of “Joseph and the Amazing Technicolor Dreamcoat” and 2009’s “Dancing with the Stars” winner) have kept him in the public eye, but he’s never stopped working.
Not only are Osmond and sister Marie headlining a Las Vegas show, but the popular singing duo released a self-titled new album of material earlier this year that, not surprisingly, was a little bit country and a little bit rock ’n’ roll.
The album features material written by Richie Sambora, Carole King, Kenneth “Babyface” Edmonds, David Foster, Richard Marx and more.
Excited to be once again on the road, Osmond thinks back to one of his first shows in Northeast Ohio when, as a bored teenager stuck in a hotel, he decided to have fun at the expense of his screaming fans many stories below.
“We were on the 12th floor, and we had three or four full pizzas we didn’t eat so I threw them like a Frisbee out of the window,” Osmond said. “The funny thing about it is they loved it and wanted more. So I found some balloons and filled up some water balloons. They thought, ‘He’s throwing us a ball’ and when it was coming down they realized it’s not a ball and tried to scatter but it was too late.”
Naturally, the question to ask is, should fans expect to be pelted with pizzas and water balloons at his upcoming show?
“No, I don’t think so,” Osmond laughed. “I really don’t know where this show is going to take me but I’m ready to go on the journey.”
Osmond will play at 7 p.m. Sept. 2 at the House of Blues, 308 Euclid Ave., Cleveland. Tickets are $49.50 to $136. For information, call (216) 241-5555 in Cleveland or www.ticketmaster.com.

Grumpy’s hosts ‘Bizarre’ Harris

Tuesday, August 30th, 2011

Grumpy’s Deli welcomes back Toledo playwright Larry Dean Harris on Sept. 10 at 7:30 p.m. for a new show, “Witness to the Bizarre.”

Harris

Harris performed at Grumpy’s in 1989 with “Oh, No! Not Toledo!” and the show continued for years with cast and location changes.
Harris left in 1997 to live in Los Angeles where he pursued playwriting. He has been nominated for Ovation and LA Weekly theater awards. “Witness to the Bizarre” is a solo role and will be the first time in his career that Harris has had a starring role.
“A few years ago, I discovered the storytelling scene in Los Angeles, and I thought ‘I can do that,’” Harris said in a news release. Before long, he was getting booked into prominent venues like the Comedy Central Stage and The Hotel Café, sharing his autobiographical adventures with audiences. “I’ve lived in three pretty colorful cities: New York, Los Angeles and Toledo. And my path has — on occasion — taken a twisted turn that makes for a good yarn. My job is to spin that yarn in an entertaining and hopefully enlightening way.”
“It’ll be dinner theater Grumpy’s style just like the old days,” said Dustin Hostetler, Grumpy’s co-owner, in a news release. “We’ll have a buffet of sandwiches and cookies. And we’ll enjoy a show by an old friend.”
Admission for the performance, including a buffet dinner, is $25. To reserve a spot, email GrumpysDeli@gmail.com.

Dustin ‘UPSO’ Hostetler exhibit debuts at Bozarts

Tuesday, August 30th, 2011

Toledo resident Dustin Hostetler is balancing several careers — working as a commercial and creative graphic artist and co-owning a restaurant. He also publishes an art magazine called Faesthetic and runs the “Think Faest” blog.
His work has been featured in art galleries across the globe, but his first Ohio exhibit — “I Thought We’d Have More Time” — debuted Aug. 26 at Bozarts Fine Art and Music Gallery. For his first show in Ohio, Hostetler decided to include the state bird in several images.
“I love birds in general,” he said. “I love watching birds and have a bird feeder in my yard. We get a lot of cardinals. It being the state bird and this being my first Ohio show, I thought it made sense to do some pieces dedicated to cardinals. It’s the most badass-looking bird, especially when you get a bunch of them together. They have the spiked hair and are looking like they are ready to fight.”
He also paid tribute to Ohio with a series of portraits with the backgrounds made up of small logos of the state.
“I took the whole show-in-Ohio thing a little more literal than I would have for a show in New York or somewhere else,” he said. “I’m excited to be a Toledo artist and an Ohio artist and thought I would reference that as much as I could.”

'Me,' self-portrait by Dustin Hostetler

His work at the show also features several consistent themes, including crystals, skulls and images containing his own body parts.
“Crystals are something that has been a repeating element in a lot of my work for several years now,” he said. “This is the first time I have played around with it being more three-dimensional. There are shadows under each of them so they pop off the walls a little.”
Skulls have been a repeating theme in his work for more than a decade.
“A friend of mine got a laser etching machine through Kickstarter.com and gave all of his supporters little bits of laser art,” he said. “I sent him a skull and he sent me back woodcuttings of skulls. He’s still learning how to use them, so the laser is a little rough on it. I kind of like that. With my work being so crispy, colorful and clean, to do some rough-cut wood ones brings some balance. I’m selling these for super cheap so if you can’t get a print, you can take a little skull home.”
Prints are available at $250 for an 18-inch-by-24-inch piece and $300 for a 24-inch-by-36-inch piece. They are all editions of one, so like a painting they are one of a kind. All of the images were printed by Toledo’s SFC Graphics.
“They do amazing art prints,” Hostetler said. “I’ve been using them for a decade. The color will last as long as a painting or anything else you buy.”
One piece of art not for sale is a rainbow Hostetler spray painted on the white wall. Bozarts allows artists to paint on the walls and repaints between shows.
“It was fun to go in here knowing I could paint on the walls if I wanted to,” Hostetler said. “You’re allowed to do whatever you want here. I only did the spray paint because I never get a chance to do that. I thought it was kind of funny to paint on the walls, and I have a lot of rainbow stuff in my work for the show anyway.”
The exhibit includes a series of four paintings of Hostetler’s face with rainbows shooting out of the eyeballs or mouth.
“I always use images of myself or reference myself in the work,” he said. “Whether it looks like me or not, it is me. It’s sort of the idea, jokingly, that I’m just sort of barfing out all this art, that it’s all I think about and all I do in my free time is barfing out art. I like to play with a little bit of humor in the art.”
Beneath one painting of his face with empty eye sockets are replicas of his eyeballs made by a friend who works in the Miller Artificial Eye Laboratory. Hostetler has also used the image of his eyes for commercial projects.
“If I get commissioned by somebody to do a commercial work and I’m able to include a body part of myself onto it, I kind of like the idea of that,” he said. “I did a Mountain Dew bottle a couple years ago for an artist series and it was covered in eyes. I love the idea that somebody living states away, who didn’t know me at all, would pull this bottle out of their fridge and have my eyeballs looking at them.”
While Hostetler likes putting himself into commercial work, he prefers to keep his art separate from his other commercial project. Last November, Hostetler and his two aunts bought the restaurant Grumpy’s from his grandparents.

'Cardinals 1' by Dustin Hostetler

“I love being involved with Grumpy’s, and I love making art, but I like having them be separate things,” he said. “Maybe someday I’d hang some of my art in the restaurant, but I’d prefer to just keep the restaurant its own special place. You have to give my grandparents credit for running it for 27 years prior to my involvement. I don’t want to slap my name over it. It’s its own beast. I’m just there helping out.”

To view Hostetler’s exhibit, contact Bozarts owner Jerry Gray at (419) 464-5785 to set up an appointment. The studio, located at 151 S. St. Clair St., brings in a new artist every two weeks. Starting Sept. 9, Hostetler’s favorite Toledo artist Yusuf Lateef starts a new exhibition.
“Most galleries do a show every month or couple of months,” Hostetler said. “Jerry is cramming more into the six months he’s doing it this year than most places would do in a year. He has a show coming up. Not only is he supporting the local arts scene, but he’s also an amazing artist himself. He’s definitely vested in local artists.”
To view Hostetler’s work, visit DustinAmeryHostetler.com or UPSO.org. UPSO is a pseudonym Hostetler uses for his art. The name comes from a series of paintings he did in college.
“At BGSU I was painting these little spacemen,” he said. “They had their own little NASA organization called United Planet Space Organization, so I was writing UPSO on their spacesuits a lot. I liked it so I started putting it into all my regular art. For about 15 years I’ve been using that as a nickname for my stuff, my brand I guess. I’ll get phone calls asking for UPSO now.”
The rainbow on the wall at Bozarts isn’t Hostetler’s first experience with spray paint. The idea for using a pseudonym comes from his early days of doing graffiti.
“My inspiration for art was graffiti,” he said. “That was a big part of my life back in high school and college. In those days I was used to putting fake names on my work, because you don’t do graffiti and sign your name and phone number and address on there. I got in trouble for doing graffiti in high school and I stopped doing it, but I always liked that idea of putting fake names on my work. I love the idea of being a little bit anonymous. My face appears in my work. It’s not like it’s an anonymous thing, but I love the idea of a fake name.”

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