So, the world didn’t end. Again.
Nope, we’re all still here, having passed yet another date predicted to signify the end of all things. And we still have 2012 to get through next year. Woulda been nice if the apocalyptic crowd coulda died out after the year 2000 came and went without incident, but no. Folks simply migrate to the next available date and start all over again.
Entertainment is not immune to their influence. For as many times as it has been predicted that the world will die, it has actually occurred dozens of times more in the pages and screens of our fiction. So, what better way to celebrate the passing of yet another doomsday than to look at some of the best pop culture apocalypses? Come now, let’s feel alive by looking at all the ways life on Earth can be eradicated.
MOVIES: Nowadays, there’s no more popular apocalypse than a zombie-filled one. Undead humans prowling the streets has been the en vogue society-slayer for almost a decade now, ever since Danny Boyle reinvented the genre with his “28 Days Later” in 2002. But for my money, the best zombie flicks are still made by the one and only George Romero, and his masterpiece remains the original “Dawn of the Dead” from 1978. Both a shockingly gory horror story and a tremendously effective piece of social commentary, the film holds up remarkably to this day and outperforms the 2004 remake for both scares and satire.
But let’s say you want the kids in on the cataclysmic fun. It’s not exactly a tale of apocalypse, more like relocation, but still, the world is rather barren at the beginning of Pixar’s masterpiece “WALL-E” from 2008. The tale of a robot garbage compactor who is the last sentient being on Earth, the film manages to be funny, sad, touching, thrilling and more all at once. A must-see for all ages.
TELEVISION: The small screen has seen numerous tales of humanity’s last days as well, but few have been as well-written and as insightful about the human condition as the ones found among Rod Serling’s classic sci-fi series “The Twilight Zone.” From the sad tale of a lonely bookworm in “Time Enough at Last” to a look at how people’s mistrust of each other can lead to their downfall in “The Monsters are Due on Maple Street,” the show provided many visions of the end, but always used them to give insight into the present. The whole series is currently available on Netflix instant streaming.
For a longer and deeper tale, it’s hard to do better than the 1994 adaptation of Stephen King’s epic endtimes parable, “The Stand.” In a world wiped out by a man-made plague, humanity quickly divides into sects led by representatives of God and the Devil. A thrilling and engaging tale that probably goes on a bit too long, and ends on a somewhat confused note, but still well worth seeing. Also available for streaming via Netflix.
BOOKS: Let’s say you prefer your Armageddon on the printed page. You cannot do better than Cormac McCarthy’s brilliant 2006 novel “The Road.” Adapted into a feature film starring Viggo Mortensen, the original, Pulitzer Prize-winning novel is an epic and grim tale of a man and boy travelling along a barren landscape, fighting to survive. The nature of the apocalypse is unimportant to McCarthy, and doesn’t even warrant mentioning. For him — and us — the story lies in what people will do to survive. A visceral and involving tale that will stay with readers long after they’ve finished.
If you’re looking for a more comedic take on the world’s destruction, the best option is Douglas Adams’s classic sci-fi series “The Hitchhiker’s Guide to the Galaxy.” Witty, intelligent and funny as hell, the tale begins with Earth being eradicated to make way for a space highway and goes from there. Completists will want to seek out the original 1978 radio dramas and the original 1981 BBC series (also on Netflix). The 2005 movie isn’t bad, either, but nowhere near as memorable as the books.
COMICS: One of the best stories Marvel has told in the past ten years — and maybe the best Hulk story I’ve ever read — has almost no characters in it other than its big, green protagonist. That’s because “Hulk: The End,” one of a series of what-if tales Marvel released in recent years, takes place long after the human race has been wiped out and only one living thing remains on Earth — Bruce Banner. Because the Hulk will not let him die. The struggle between Banner and his alter ego for peace is one of the most powerful stories I’ve ever seen on a comics page. It’s a bit hard to find, but well-worth seeking out.