Yanni to bring ‘Truth of Touch’ tour to Detroit
Friday, March 18th, 2011Yanni believes size doesn’t matter.
After all, the world’s been his stage. He’s played at the Acropolis, the Taj Mahal, the Forbidden City.
“I put out the same energy; as long as somebody’s watching, you’re putting on a show,” he said. “I think the audience will enjoy smaller [theaters] because you feel like you can touch them. It’s more like you’re playing in your living room and everybody is close to you.”
Fans will have an intimate evening when Yanni brings his “Truth of Touch” Tour to Detroit’s 5,000-seat Fox Theatre for a 7 p.m. concert March 27. Tickets range from $28.50 to $79.55.
Released last month, “Truth of Touch” is the 19th disc of the prolific musician’s career. It’s a return to mostly instrumentals.
“I just went for a more defined, more Westernized, edgier sound on purpose because I liked it; I was in the mood for it,” Yanni said from Florida during a teleconference. “When I was younger, I used to play in rock ‘n’ roll bands. So I let a little bit of the rock player out in a couple songs like ‘Vertigo’ whenever I wanted to kick out a little bit.”
The Grammy-nominated artist has U.S. sales of 11 million discs, according to the Recording Industry Association of America, and 24 million in other countries.
Despite the success, there was a time Yanni retreated from the music world.
“Back in ’98, I burned out. We had, between going to India and China for the Taj Mahal and Forbidden City, and producing that video, I think I did something like 120 concerts. And I just ran away,” he said. “I didn’t know if I was going to come back ever. I am an all or nothing type of person.
“It was like let it go, heal yourself, and if music is really your life like you say it is, it’ll be there for you,” he continued. “And that’s exactly what happened. And now I got to a place in my life where I don’t feel as an artist that I have to prove anything to anybody anymore and that gives me a lot of freedom and a lot of relief. So I can do anything I want.”
That creative independence helps keep his music honest.
“With instrumental music, you can’t lie,” Yanni said. “You have to know love, passion, certain emotions that you’re describing. And then you have to be capable of putting those emotions into notes and rhythms and sounds so that the listener can comprehend it or feel it.”
He talked about the tools to make that translation happen.
“The No. 1 element I think, the most important, is melody. The theme, the main theme, is everything, especially in instrumental music because the entire message is dependent on sound, rhythm and melody, not lyrics,” he said. “So if you don’t have a main theme, it’s like, ‘Where’s the beef?’ ”
Yanni knows some unfamiliar with his music may ask that question about him.
“It doesn’t matter if you do rap or you do classical music or you do rock ‘n’ roll, whatever, people are going to like you, hate you, whatever. It’s part of the deal,” he said.
“I know there are people in the audience that don’t want to be there; somebody brought them there,” he said and laughed. “But I know that they’re going to walk away satisfied. … I know they have to be impressed with the virtuosity of the musicianship.”














